Black River

Co-directed by filmmaker Morag McKinnon and composer Jim Sutherland, is a thought-provoking meditation on the climate crisis and humanity's relationship with nature. With a focus on Scotland's Flow Country, it blends art and science to reflect on present-day eco-emergencies within the context of geological deep time.

Roger Boussinot directed this episode of the French television show Italiques, which features an overview of the art and career of Fantastic Planet illustrator Roland Topor. It aired on August 8, 1974.

The Balkans cradles Europe's last wild rivers and supports abundant wildlife and healthy, intact ecosystems. These rivers are "The Undamaged" – clean, pristine, and undammed. With over 2,700 small and large hydro power plants planned or under construction in the Balkans, corruption and greed are destroying the last free-flowing rivers of Europe. Follow the Balkan Rivers Tour, a rowdy crew of whitewater kayakers, filmers, photographers and friends who decided to stand up for the rivers, travelling from Slovenia to Albania for 36 days, kayaking 23 rivers in 6 countries to protest the dams and show the world the secret wild rivers of the Balkans. The film honours everyday people and local activists who are fighting to defend rivers and aims to spread the word of the plight of these rivers, showing a new style of nature conservation that is fun, energetic and effective.

In a small cockpit-like room, we see two young hip hop musicians from Tokyo giving birth to a beat: precision, patience and camaraderie hold sway, midway between an installation and sitcom.

Narrated by Academy Award winners Sissy Spacek and Herbie Hancock, River of Gold is the disturbing account of a clandestine journey into Peru's Amazon rainforest to uncover the savage unraveling of pristine jungle. What will be the fate of this critical region of priceless biodiversity as these extraordinarily beautiful forests are turned into a hellish wasteland?

On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.

1 in 52 players from Kinston High make it to the NBA, the most per capita in the world. Where basketball provides a way out for many with otherwise limited opportunities, something is definitely in the water in Kinston, NC.

Handheld skate video meets hardcore social realism in a sensational film with the energy of a three-chord punk song and an unruly group of street kids in front of the camera, shot over 10 wild years of their young lives.

In 1983, fifteen Cape Breton, Nova Scotia, landowners went to court to stop the spraying of herbicides by the local subsidiary of a Swedish multinational on forests adjacent to their properties. They found that the testimony of scientists and the support of public opinion, both here and abroad, were not enough to win their case. The film shows their ordeal and the landmark Sydney trial. Concerns raised included potential conflict-of-interest situations where a government must protect citizens' health while supporting certain kinds of industry; the relative value of the political and judicial processes in mediating social problems; and the need for a public forum for debating environmental issues. The film contains outstanding footage from chemical-industry films of the 1950s and recent material about Vietnam veterans affected by Agent Orange.

The Battle At Our Shores is a documentary following over a period of a year the ground swell of opposition that has arisen over the first inshore/coastal oil and gas exploration licenses to be given out in Canada in the Province of Nova Scotia. Most other jurisdictions have put moratoriums on inshore marine oil and gas activity. This documentary tracks this ecological and political controversy, which pits citizens groups against their governments and industry. The Battle At Our Shores looks at citizen activism, governments that ignore democracy, and the fight against corporate globalism at a local level.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. Are we truly awake to the genocides and wars raging beyond our privileged bubbles, or are we content to remain ensnared by manipulated realities? This is a personal call to shatter the illusions, to seek deeper truths, and to recognize the profound fortune of our existence amidst global turmoil.

Somewhere in stoic, rural Russia, at the edge of mapped time and memory, a snowbound airport idles in stillness. Six Weapons of Post-Modern Time Travel indifferently observes as time stretches beyond the runways. Absence hums under old fluorescent lights as the ordinary turns spectral. This film documents the weight of a place coming to terms with silence, holding it's breath as departures have outlived arrivals.

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

What if you rediscovered the script you wrote when you were 12? And what if you performed it with real actors, without changing a word? In this unique comedy, actors faithfully bring their director's hilariously bad childhood script to life, while their "Teacher" Michael Smallwood uproariously reacts to the chaos.