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A belligerent hitwoman navigates a world of cutthroat killers as she attempts to get the money together in order to escape to Mexico and open a bar.

A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.

A husband and wife detective team takes on the search for a missing inventor and almost get killed for their efforts.

A newly dead New England couple seeks help from a deranged demon exorcist to scare an affluent New York family out of their home.

A talent-show contestant Kitty gets hair extensions and is haunted by the spirit of her new hair's former owner – a dancer-model who seeks Kitty's help in patching things up with her old boyfriend.

The plot of the lost film is divided into two acts. Ossi Oswalda and Victor Janson play two apartment seekers, while Marga Köhler is a landlady. The housing shortage is treated in sketch form and "in a joking manner [...] the real housing calamity", whereby "humorous aspects" are wrested from the "tragedy." Lubitsch and Kräly used a sketch in the film that they had written especially for Ossi Oswalda.

When the discovery of an ancient artifact unleashes an evil force, Ghostbusters new and old must join forces to protect their home and save the world from a second Ice Age.

A man gets stuck in a deep hole, unable to escape. From The Bristol University RFT course 1979.

Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.

Solah Vicenzio returns to his hometown, accompanied by Fajrul, Jaka, and Supra. Solah imagines his homecoming will be celebrated like that of a hero but instead, he’s mistaken for a ghost. His disappointment deepens when he learns that the girl he’s long had feelings for, Dara Gonzales, is about to marry his own younger brother, Iqbal. However, their wedding is disrupted by terrifying appearances of a ghostly figure—Nenek Gayung, the corpse-washing spirit searching for her next victim to bathe. The only way to save Iqbal and Dara’s wedding is for Solah and his friends to confront Nenek Gayung and seek help from Kangmas Pusi.

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

The whole village mourns when General O'Leary, owner of a hunting estate in South Ireland, is killed in an accident. His nephew, Jasper O'Leary, takes over the state and soon has aroused the displeasure of all, with the exception of Serena McGluskey, as much a schemer as he is a cad. Led by Thady O'Heggarty, the villagers plot to drive Jasper away. They use the occasion of "O'Leary Night", when the ghost of the first O'Leary walks the halls, to create general chaos.

Passing Through is a 1921 American silent comedy drama film, directed by William A. Seiter and written by Agnes Christine Johnston, and Joseph F. Poland.