The Tide of Fortune

In the valley the world's best "eternal triangle" is being worked between a husband, a much younger wife and "one who covets." On the heights, the shepherd hears the call and for the nonce becomes a wanderer, and descends into the valley of Passions and Pain. It is the gentle, unfelt, almost unseen influence of the wanderer that stops a maddened husband from first murder and then suicide; exposes the frailty of a wife to her own consideration, and points out to her the grim consequences of a moment's folly, and finally takes the "one who covets" away from the born passions of the valley a far journey up the heights, and disaster to three souls.

Author David Marshall is sandbagged by holdup men and loses his memory. He finds his way to a bookshop run by his friend Ladd, who takes him in with the hope of helping him to regain his memory. David there meets Hope Masterson and falls in love with her. Bill Dorgan, a gangster in love with Hope, kidnaps her, and David comes to her rescue. David is hit again on the head, and this time he regains his memory. He still recognizes Hope, however, and they look forward to a long and happy life together.

Margaret has given up her stage career to marry inventor Jerry Benson. Jerry fails to impress oil executive William Graves with his idea, but Margaret has better luck when she catches Graves' attention and she both makes the sale and becomes the object of Graves' obsession. Profits from the invention make the Bensons wealthy; however Graves schemes to steal Margaret from Jerry by swindling them out of their money and getting Broadway floozy Gloria to break up their marriage.

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

An uninhibited young woman is brought up by a reclusive eccentric.

Connie urges her friend Molly and Molly's boyfriend Tom to attend a party with her. Molly, who has never tried alcohol before, is temporarily blinded by her first drink. Connie, feeling Molly's blindness is her fault, agrees to marry a wealthy man in order to get the money to restore Molly's sight. Complications ensue.

About Dick Heldar, an aspiring artist. Although he is devoted to his childhood sweetheart, Maisie Wells, his ambition drives him to faraway places. He meets Torpenhow, a war correspondent, at Port Said, and accompanies him into battle.

Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.

Wee Lady Betty rules the O'Reilly castle with a stern hand and a big heart until she learns that Roger, the O'Reilly heir, is coming to take possession of his estate. Unable to provide for her aged father, Betty conceives of a scheme. Feigning to leave the castle, she returns after dark with her father and installs him in the haunted chamber.

The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).

Caroline Rogers, a spirited young girl with a taste for highly romantic novels, comes home from boarding school to attend her sister Ethel's wedding. Having read a particularly lurid novel entitled Twin Souls recently, she arrives at the rehearsal wearing a daring gown in the hope of ensnaring a "soul mate." Because of his poetic name, Caroline becomes involved with Reginald Van Alden, a married fortune-seeker. On the morning of the wedding, she abandons her old sweetheart, Bob Worth, to take a ride with Reginald, but when he takes her to a disreputable roadhouse, she escapes and then tries to commit suicide by drinking cologne.

The owner of vast diamond mines, John Quelch is constantly fearful of theft and convinced that any woman will "sell her soul" for diamonds, he deals harshly with any employee caught stealing and has Lady Margot Cork watched while she is visiting Lorraine Temple. John and Margot fall in love, but she cancels their engagement when she learns of the "brutal" punishment of Jim Wingate for swallowing a diamond.

"Waffles," the waitress at "Coffee Dan's" hash-house, is selected by Bert Gallagher and Clara Johnstone, a pair of crooks, to be represented as a missing heiress whose story they have read about in the papers. "Waffles" herself believes the story, as she was orphaned early and remembers little of her childhood, and by adroit coaching is able to convince the estate's none too bright lawyers of the validity of her claim. With this unlimited money, poor little "Waffles" nevertheless has only three desires: to buy the little restaurant for her old benefactor, Shorty Olson, to publish the music written by her lover, Carl Miller, a young, eccentric, absent-minded musical genius, and to adopt the baby that a Mrs. O'Shaughnessy is too poor to care for.

Such a soul torments young composer Georg von Wergenthin, around whom the author creates a precise picture of the fin de siècle, its neuroses and its politics. Georg starts a relationship with a young singer, but does not confess to her in front of his friends, even when she becomes pregnant by him.

Young Celeste Janvier ( Bessie Love ) lives in an East Side tenement with her immigrant grandfather, a humanitarian and socialist. Like her kindly grandfather, Celeste also has a kindhearted soul, and her friendly nature has earned her the nickname, " the little sister of everybody."