Gluck: Iphigenie en Aulide / Iphigenie en Tauride

With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.

Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues Charles Henri Ford grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman.

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

While on a dangerous mission to recover the historic Judas Chalice, Flynn is saved by Simone. But when double-crossed by a respected professor and ambushed by a ruthless gang, Flynn realizes Simone's secret, his true mission and a shocking discovery are all lying within a decaying New Orleans crypt.

A homoerotic exploration of the Odyssey mixing black and white, color, and old film clips.

Olympus. Here are all the most important gods: mighty Zeus, his treacherous wife Hera, handsome singer Apollo, ruler of the seas Poseidon, warrior Ares, goddess of beauty and love Aphrodite and wise Athena. Here is the illegitimate son of Zeus, Hercules - a demigod-half-man. Having missed the Earth, he begs for travel on it from Zeus before sunrise. He is accompanied by an eagle - a cunning and insinuating creature, the same one who once pecked Prometheus and from which Hercules saved him. On Earth, Hercules enters the temple dedicated to him and his twelve feats. There he remembers some of them.

The cunning king Polidekt of the island of Serif sends the young hero Perseus to get the head of Gorgon Medusa, whose gaze turns people to stone. He is accompanied by the god of commerce and profits and the patron of thieves and athletes, Hermes, who pursues his personal interests. Perseus gets the head of Medusa, but uses it to save Andromeda, the daughter of King Kef.

The story of the titan Prometheus, who stole fire from Olympus for people and was severely punished for this by Zeus: Prometheus' friend the blacksmith Hephaestus was forced to chained him to the rock, and every day the eagle that flew from Olympus pecked the recovering liver of Prometheus. But the agony of Prometheus was not in vain - people preserved his sacred gift.

A Basque mythological creature struggles to regain her power after a man steals her egg.

Bonus video included in the physical copy of the recording, Linkin Park plays "Somewhere I Belong" during the "Linkin Park: Road to Revolution - Live at Milton Keynes" concert.

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.

Set around a classic case of broken vows – the defendant having literally left the claimant at the altar – the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided.

In a world where Greek mythology is reality, Ben, a lonely reporter, finds his morals swayed by his desperation for affection.

The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.