People on Paper

The De Mol van Otterloo couple has the most important and largest private collection 17th-century Dutch and Flemish masters in the world. They collected from Ruisdael, Steen, Dou, Cuyp, Potter, Lievens, Hals and yes, also a Rembrandt. There is millions of masterpieces on the walls of their villa in Massachusetts. But what do you do with such a collection? Together with the friendly couple Weatherbie, who also built up a special art collection, they decide that their collections should stay together after their death. The result is an art gift that is unparalleled.

Pop Goes the Easel was Ken Russell’s first full-length documentary for the BBC’s arts series Monitor. It focused on 4 British Pop Artists - Peter Blake, Peter Philips, Pauline Boty and Derek Boshier.

A documentary about Antti Jalava, a Swedish-Finnish writer who was among the first to write about the immigrant experience in Sweden.

Lucy Rose, a transgender woman, shares her journey of self-love and empowerment since starting hormone replacement therapy three years ago. The film is part animation, part documentary and part VHS archive footage.

A mystical detective story set in the realm of Moscow art scene. Psychedelic trip through different places, characters and strategies in the search for the Author, covering mythology of Moscow art from the period of 1980-2010. The movie is based on the 'Inspection Medical Hermeneutics' group's text of the same name and on the historical research performed by the authors of the film. Production was an experiment in collective film making experience.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

A look at the feud between graffiti artists King Robbo and Banksy.

Artist David Choe has led a life of high risk, from hedonistic excesses to being imprisoned at a maximum security facility in a foreign country, and yet has been dramatically rewarded for his exploits. Life didn't change much when he traded a $60k fee in favor of stock in a start-up called The Facebook, but now he is estimated to be worth over $250 million, highlighting a colorful career filled with giant street art installations, porn star affairs and investigative reporting for companies like Vice and CNN. Director and childhood friend Harry Kim guides us through the fantastically surreal life of Choe featuring interviews and appearances by Kevin Smith, Eli Roth, Sasha Grey, Sean Parker, and Shepard Fairey.

Tribal Strands is about two self-made Brooklyn hair artists, who create authentic hairstyles, leading the anti-hair discrimination movement. In addition, they inspire Black people to embrace their natural hair worldwide while exploring the intersections between modern and ancient African indigenous hairstyles.

This new documentary tells the incredible life story of an internationally renowned artist who goes to the frontline to tell the real story of the world. Irish painter and social activist Brian Maguire has been catapulted to the forefront of the international art world in recent years as it has been realized how much his challenging work contributes to and tells the real story of the world. He tells the stories of those that have lost the race, the victims of poverty, drugs and violence. All of the elements of Brian’s extraordinary life are rolled out in his artworks, experiences that have fueled his drive to bring attention to stories of injustice, stories which might not otherwise be told. He has brought his artworks to UN headquarters in New York and the European parliament to bring attention to what he calls the victims of capitalism.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.

The world’s museums are closed. What are you missing?  Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.

Two and a half years after the start of the full-scale invasion, Ukrainian artists and volunteers are heading to Burning Man to create a large-scale installation. Using road signs from deoccupied territories, they spell out the phrase "I'M FINE" — a symbol of how people hide their pain and try to persevere despite the circumstances. The sculpture becomes a place for meeting, reflection, and dialogue about war, trauma, and the strength of the Ukrainian spirit, demonstrating how art can become a platform for open conversation about painful experiences.

A gripping tale of intrigue and mystery in the art world, this film traces the history of a collection of Post-Impressionist paintings - worth billions - which became the subject of a power struggle after the death of its owner. Dr. Albert Barnes.