The Philosophy of Horror (Part I): Etymology

The times are fueled by anxiety, and our tweets will not say the opposite. A feeling of the end of the world hangs over our economic model. The frustration, for those who feel it, seems inevitable. The question of meaning has never been so acute. It’s time to talk about it, and who knows, to find answers.

In the future, a second great flood covers most of the known world. Country borders collapse and language barrier disappear. All salvageable books are taken to a deep underground vault facility for protection. Run by priests, the facility is called The Stacks. As Olivia wanders the facility she discovers that she may not be alone and that a dark part of her past may have followed her into the narrow corridors of this inescapable purgatory.

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.

Experimental short film by Michio Mihara.

Somewhere between dream, life, and death, a girl sees HERself confronted with HER images of two important people in HER life and HERself.

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.