Dia of the Dead

Dia de los Muertos is a film that captures the beauty, mystery and sacredness of the ancient Meso-American holiday that honors and remembers those who have died. Combining stop-motion animation and sets with computer generated characters, backgrounds and effects creates a richly layered world that blurs the boundaries separating the living from the dead. Dynamic camera angles and lively music enhance the subtle, stylized performances of the living characters and the frenzied action of the spirits.

Four children learn the origins of Halloween customs while trying to save the life of their friend.

Despite his family’s baffling generations-old ban on music, Miguel dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz. Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector, and together, they set off on an extraordinary journey to unlock the real story behind Miguel's family history.

In the Mexican town of Santa Clara, Salma, a 16 year-old orphan who never got to meet her biological parents, has spent most of her life searching for clues of their identities and whereabouts, that is until she discovers a special book that is filled with stories of the town's past and the history of it's people.

When Cole returns to Yang's haunted temple to seek revenge on a former Airjitzu Master, he accidentally uses a powerful Dark Magic blade that unleashes the spectral forms of Ninjago's greatest villains and traps himself in the temple. The Ninja must return the ghosts to the Departed Realm before it's too late.

The journey of Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart. Before choosing which path to follow, he embarks on an incredible adventure that spans fantastical worlds where he must face his greatest fears.

On the Day of the Dead, a 10-year-old kid anxiously awaits a visit from his grandfather from the afterlife to finally meet him

Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic disrepair and obscurity in a small southern Mexican town in 1939. The consul's self-destructive behaviour, perhaps a metaphor for a menaced civilization, is a source of perplexity and sadness to his nomadic, idealistic half-brother, Hugh, and his ex-wife, Yvonne, who has returned with hopes of healing Geoffrey and their broken marriage.

In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.

Damian, grieving his girlfriend's death, travels through Mexico seeking solace. Along the way, he connects with strangers and witnesses their coping rituals, finding a path through his own memories and regrets.

Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?

A low budget news show is interrupted by the apocalypse.

A Mexican farmhand migrates to America to better support his family, but his dream crashes to the ground when his wife and daughter can't meet him across the border.

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

A portrayal of the Mexican Day of the Dead consisting of still shots and narration. Deals with the special objects and events surrounding the annual Mexican celebration of “All Souls Day”. It is not only a rich flood of folk art, but a view of the way that the Mexicans have come to terms with death. Searched out with the help of Alexander Girard and a moving guitar score by Laurindo Almeida.