A.I. Artificial Intelligence

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

When a Harvard-educated CIA agent is killed during an operation, the secret agency recruits his twin brother.

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

It’s the year 2762. The galaxy is plagued with warring factions using hokey special effects to destroy each other. Out of this chaos a hero rises: the dashing, exquisitely bearded Captain Saber Raine (Casper Van Dien). Saber and his elite squad of commandos (other actors) embark on a dangerous quest to save the Prince and Princess of an unnamed planet from the clutches of the Evil Overlord Sinjin - an overlord so evil HIS VERY SKULL IS FILLED WITH CHERRY JELL-O. Can our heroes fend off Sinjin’s army of mutant androids and rescue the Prince and Princess? Probably! After all it’s Space Opera, but you never know! Join Mike, Kevin and Bill for an unforgettable Sword-And-Laser Swashbuckling-ly fun time, beamed to theaters nationwide!

When an atomic war on Mars destroys the planet's women, it's up to Martian Princess Marcuzan and her right-hand man Dr. Nadir to travel to earth and kidnap women for new breeding stock. Landing in Puerto Rico, they shoot down a NASA space capsule manned by an android. With his electronic brain damaged, the android terrorizes the island while the Martians raid beaches and pool parties

Bambi's tale unfolds from season to season as the young prince of the forest learns about life, love, and friends.

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

An employee of a secret company operation becomes the victim of the company's special weapons project. He is transformed into a robotic killing machine that, because of his programming must destroy anything that comes near him.

A mad scientist creates a monster called "Mosaico," who breaks out of the laboratory to hunt down and kill beautiful women.

In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.

An undocumented immigrant finds a human heart in one of the toilets of the west London hotel where he works with other undocumented immigrants.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

The life of a successful radiologist spirals out of control when she sees the spitting image of herself driving down a London street. While attempting to uncover who the imposter could be, she stumbles into a terrifying mystery that her family and closest friends are somehow involved in, leaving her with no one to trust.

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.