Maddy the Model

Short film by Willy Bogner. Created as an advertisement for the 1997 Bogner ski clothing collection. Featuring alpine ski and snowboard champions. Filmed at St. Moritz, Switzerland and Island Lake, Canada.

Segregation, abandonment, and the meaning of home are discussed by the people that lived in, worked at, and crusaded for one of the largest and oldest Intellectual and Developmental Disability Institutions in the United States. The facility, in its closing, challenged society's perception of those with intellectual disabilities and ultimately fought for better rights.

“Factory-made wheelchairs are huge, heavy and ugly.” To counter this reality, wheelchair riders Ralph Hotchkiss and Omar Talavera began making beautiful, all-terrain wheelchairs. Their work draws on the resourcefulness of disabled people in the Third World, who have no choice but to build their own chairs. A well-crafted piece in its own right, Zimbabwe Wheel illustrates that wheelchairs can be truly empowering works of art: hand-crafted machines that are inexpensive, durable, and tailored to the needs of the rider.” Working on your chair is like working on your whole sense of self,” says a student, describing a feeling no factory-made chair can provide.

Nikki is a plus size model who hits the streets of Chicago to ask questions and find answers about the distorted views of plus-size and size zero models. Through her journey she learns some truths about the demands of losing weight and the struggles of anorexia within the modeling community.

In fashion you’re only as good as your last collection, and the next collection always has to be your best. There is no margin for error. Nicholas Raefski is an emerging designer attempting to change the landscape of American fashion. Go inside New York City Fashion Week with Raefski to see how his young and inexperienced team pulls off a major fashion showcase with almost no budget.

M2M's first original long-form documentary, Battle at Versailles, follows an event in 1973 at Palace of Versailles where top French designers such as Yves Saint Laurent and Pierre Cardin faced of against American newcomers Oscar de la Renta, Bill Blass, Anne Klein and Halston. That pitted France’s best designers against the best America had to offer. It was the first time the fashion world's gaze was fixated on American design.

The battle for accessibility in New York City Transit told by those fighting it. Less than a quarter of stations in the city's sprawling subway system are accessible to people with disabilities and those that need elevators. This film takes you on the frontlines of the disability rights movement featuring the perspectives of activists, local and state legislators, transit advocates and MTA officials.

A feature length documentary film about one man's journey to find the perfect set of feet

Ottolinger's Spring/Summer 2023 collection, presented at Paris Fashion Week, showcased a fusion of deconstructed silhouettes and futuristic materials. Designers Christa Bösch and Cosima Gadient emphasized skintight bodysuits, layered ensembles, and garments dipped in rubber, creating a distinctive texture and visual appeal. The use of recycled materials, such as leather-look trousers made from recycled polyester, underscored the brand's commitment to sustainability. Electric hues of red, blue, and green contrasted against neutral tones, enhancing the collection's dynamic feel. Accessories like punked-up court shoes encased in rubber and chunky, twisted sunglasses added to the collection's bold statement.

Toypunks is a documentary film series covering the converging world of Japanese toys, fashion and punk rock. Exploring the birth of the designer vinyl explosion from its roots in character culture and punk music, Toypunks takes you in-depth with Japanese fashion icon, Hikaru Iwanaga, creator of the worlds first designer toy. Frank Kozik, Hiddy Kinoshita of Secret Base, Balzac, Three Tides Tattoo and more are interviewed highlighting profound cross-cultural connections between todays top creative talents in toys and fashion.

The creation of this collection began when the IM MEN design team encountered the work of ceramic artist Shoji Kamoda, who aims for unique beauty in form. This collection is the result of our single-minded pursuit of giving form to the pure desire to wear his creations as clothing. The sensations evoked through repeated quiet dialogue with Kamoda are amplified and expressed in the form of clothing.

Jonathan Anderson's debut Dior Summer 2026 collection reimagines menswear by blending historical elegance with modern utility. Showcased at Paris's Hôtel des Invalides, the collection featured couture-level cargo shorts, Bar jackets paired with chinos, and French silk vests with jeans and sneakers, reflecting Anderson's fusion of formality and materiality. Drawing inspiration from 18th-century painter Jean Siméon Chardin, the designs emphasized sincerity and everyday beauty, avoiding nostalgic over-reliance. The show concluded with a standing ovation, affirming Anderson's transformative vision for Dior.

Whether famous or anonymous, stars or prisoners, models or sex workers, women have always been at the center of Bettina Rheims' photographic work since her debut in 1978. Both subversive and glamorous, trashy and sophisticated, her photographs mark and bear witness to the upheavals of the era, which this leading photographer both anticipated and accompanied.

Rick Owens' Spring/Summer 2026 menswear collection, titled Temple, was a theatrical exploration of legacy, transformation, and raw sensuality. Staged at Paris' Palais de Tokyo, the show featured models descending a towering scaffold into a fountain, immersing themselves in water before ascending again—symbolizing rebirth and resilience. The collection showcased Owens' signature elements: slashed Tuscan leathers, studded straps, voluminous flight jackets, and towering platform boots, all rendered in a monochrome palette. This presentation coincided with his Temple of Love retrospective at the Palais Galliera, offering a poignant reflection on his career and the enduring themes of love and mortality.

When he was only 9-years-old Tan France tried to lighten his own skin with bleaching cream. He faces up to his own experiences in an attempt to explore perceptions of beauty, skin tone and colourism.