Sharon Osbourne Presents Rock 'n' Roll's Dodgiest Deals

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

This documentary pays tribute to the contributions and importance of the title watering hole in the creation of the psychedelic dancehalls that littered the West during the late '60s and helped launch such super groups as The Grateful Dead, Jefferson Airplane and The Quicksilver Messenger Service. Music by Big Brother and the Holding Company, and the Charlatans is also featured. The Red Dog Saloon had its genesis in 1964 when a group of free-thinking, LSD-enhanced Northern California students and young folks had a party and began thinking about starting up a saloon that would evoke the old West. They decided to build their saloon in Virginia City, Nevada, a once prosperous town that was by then nearly empty. The ambience of the saloon blended Old West sensibilities with modern psychedelia, go-go girls and plenty of illegal drugs. The film is comprised of interviews with surviving founders, actual archival footage, and even a performance of some of the musicians who appeared there.

James Brown was the jewel in the crown, but the throne of Cincinnati’s King Records always belonged to its irascible founder, Syd Nathan. This is the 70th anniversary of the legendary record label and studio. It closed shop nearly 40 years ago, in a now long-neglected warehouse on the neighborhood border of Evanston and Walnut Hills, but its impact still reverberates across today’s music.

The remarkable story of the legendary Motown Records is told through exclusive interviews with the label’s visionary founder, Berry Gordy, and many of its superstar artists and creative figures, as well as rare performances and behind-the-scenes footage unearthed from Motown’s vaults and Gordy’s personal archives.

Presented by Paul McGann, The Cavern Club and LA Factual have come together to produce "The Cavern Club: The Beat Goes On" - a unique documentary feature, telling the untold, complete and colourful story of the 'greatest club in the world'.

In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.

The record label Death Row Records has, since its creation in 1993, been synonymous with the American hip-hop climate. Formed by ex-bodyguard Suge Knight, the label has released seminal rap albums from luminaries including Dr. Dre, Snoop Doggy Dogg, and the famous hip-hop martyr Tupac Shakur. WELCOME TO DEATH ROW is a fascinating, well-researched documentary which explores the history of this intriguing and incredibly significant company.

The hallmarks of popular music - artist independence and diversity of voices - are threatened by a contracting marketplace of record companies, radio ownership and playlists, as well as increased use in advertising. Big-name artists, historians and economists explain how popular music is produced and marketed and critique its current state.

The haunting story of music executive Drew Dixon as she grapples with her decision to become one of the first women of color, in the wake of #MeToo, to come forward and publicly accuse hip-hop mogul Russell Simmons of sexual misconduct. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large.

One of the dominating figures in Elvis Presley's life was his manager, who was known as the "Colonel". No other relationship in Elvis' life was as controversial and misunderstood as the one he had with Colonel Tom Parker. The truth about their unique friendship is revealed in this documentary.

Get to know the mastermind behind The Beatles’ worldwide domination, from an unknown Liverpool band to uncontested modern musical icons.

In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.

Two South Africans set out to discover what happened to their unlikely musical hero, the mysterious 1970s rock 'n' roller, Rodriguez.

The explosive trajectory and tragic demise of iconic music retailer Tower Records, and the legacy of its rebellious founder Russ Solomon. Two hundred stores in thirty countries on five continents. In 1999 it made $1 billion. In 2006 it filed for bankruptcy. What went wrong?

Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.