Peaches & Cream

A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

A werewolf loose in Los Angeles changes the lives of three young adults who, after being mauled by the beast, learn that the only way to break the curse put upon them is to kill the one who started it all.

A burlesque fantasy about a fountain-of-youth pill and its effects on Getz, a down-and-out Tel Aviv night-club singer. After taking this much sought after pill, Getz becomes the epitome of youthful energy, and therefore a teen idol, a symbol of beauty and youth, up to the cathartic ending of the movie.

Brenda, Laura, Ruben and Willem meet each other at an uneasy therapy session. The unconventional therapist (Pamela Tevis) tells them they only have 48 minutes left to live. Looking back at their lives, they start making choices they never dared before. ** This movie was made as part of the 48 Days Film Project: all writing, shooting and editing happened within 48days.

The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.

In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel’s social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing, ruthless new national anthem.

After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

Javi Fuentes, a talk show host, loses his sense of humour after his father's death. He is replaced by an unbearable influencer and hires Alfonsina, a stand-up comedian, to regain his spark and save the show.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

On the eve of a seven-year prison sentence, a New York drug dealer spends his final day of freedom confronting his past, his relationships, and the choices that led to his downfall in a city still reeling from 9/11.

A Seattle-based filmmaking team struggles to break down the doors of Hollywood.