Anfisa

Edith Frome (Stevens) finds it impossible to live with her alcoholic husband Arthur (L ‘Estrange), and finally leaves him. After three years she returns but leaves each evening, returning late arousing the suspicion of her husband. Having her followed he soon learns that she visits a child. Suspecting the worst because of her friendship with Dr. David Brett (Phillips), he institutes divorce proceedings. Edith confesses the truth about the child and Arthur, realizing his folly, swears off liquor and they are reunited.

Broad-minded rector Stephen Carey is ousted from his church by his vestrymen and befriends Claudia Bigelow, a young divorcée who defended his position in the church. Claudia's carelessness in leaving a cigarette burning causes Jimsy, the housekeeper's son, to go blind. Stephen's prayers restore the boy's sight, and a happy future is predicted for all.

Hedda Gabler finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.

Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.

The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.

Folly Vallance marries millionaire Anthony Bond for his money, but he insists on a marriage in name only. Entering the social scene she befriends Bond's close friend Keene Mordaunt. When Count Svensen tries to extort Folly into running away with him, Keene pursues them to a country house where they meet Anthony, who accuses his friend of treachery. Folly finally recognizes her love for her husband and explains the cause of her actions; Bond forgives her leading to their reconciliation.

Unjustly accused of adultery in a scandalous divorce, Larita Filton flees to the French Riviera. She soon falls in love with a young Englishman, John Whittaker, and begins anew under an assumed name. But when John brings her home to his disapproving family, Larita’s past begins to resurface.

Very wealthy Bettina is also very reluctant to get married. She changes her mind in a hurry when she meets Reynaud, the nephew of Abbe Constantin, the poverty-stricken religious leader of the small French village of Longueval.

A 1911 short starring Arthur V. Johnson, Marion Leonard and Henry B. Walthall. it is now considered a lost film.

To save her artist lover from starvation, a young girl weds a rich old man, who buys his pictures. Not knowing her sacrifice, the artist becomes famous and publicly snubs the girl. On his deathbed the old man sends for the artist and divulges how he forced the girl to marry him and the lovers are reconciled.

An exploration of the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

Wealthy Jack Stimson (Jay Belasco) falls in love with Broadway diva Velma Vrooman (Gretchen Lederer), and for her sake bankrolls the musical production in which she is currently starred. But when Velma proves to be fickle and unreliable, Jack shifts his affections to humble chorus girl Bobbie (Louise Lovely).

Gabrielle Picard (Elda Hall) and Pierre Dupont (Rupert Julian) are lovers in a small French village in the early 1870s; Gabrielle's brother Anatole (Kingsley Benedict) is Pierre's best friend. The two young men are called to service by their country and go to Algiers. Anatole becomes the bugler and one day when he is commanded to sound the retreat, he sounds for the troops to charge instead. Anatole becomes a hero because of his action, but when the two men make their victorious return home, they find the Picard home ransacked and Gabrielle gone.

A village drama about the tragic culmination of a forced marriage. The film was financed by a Brno company, which required interventions in the generally known original. The reason for moving the location of the action and rewriting the dialogues into the appropriate dialect was the idea of ​​making the spectacular Vlčnov costumes more spectacular. Their distinctive color led the producers to the idea of ​​filming several crowd costumed scenes (the wedding) on ​​color material. However, the parts of the color copy processed abroad were not used in regular distribution. Another requirement was to emphasize the positive influence of the Catholic Church and have a more conciliatory conclusion.