The War Prayer

Edo, Japan. Calligraphists are not mere writers, they can bring drawings to life and utilize kanji. Three calligraphists from the art wielding clan join up and fight against an exiled calligraphist and his minions to protect the Tokugawa shogunate.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

A Chinese Canadian son sets out to make a film on his mother, who was once known as the first ever Chinese Opera Singer to have performed Pingju Opera in English in late 1980's China.

Cartagena, Colombia – 1666. An enslaved woman accused of witchcraft comes face to face with evil incarnate and a Faustian bargain for her freedom while imprisoned in the bowels of the Palace of the Inquisition.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.

Francesca, tormented by her past, breaks the silence to talk about surviving the horrors of the comfort stations of Imperial Japan.

Although Nuni has been selected to play the lead (King David) in his Jerusalem grade school play, he'd secretly rather play the princess role instead.

A female Australian soldier cut off from her team, lies trapped in a collapsed building behind enemy lines. With a broken leg and minimal supplies, she is on her own until the unlikely arrival of a frightened 10 year old boy wielding a rifle, who helps her maintain survival through their developing friendship.

Su Jin meets Li'er. As their bond grows, the weight of Su Jin being the crowned prince and Li'er as a cat spirit grows heavy.

In 1991, John Heroux served in Operation Desert Storm, piloting one of forty F16 Fighter Planes sent in to target large manufacturing facilities deep inside Iraq. Looking back on these missions, John explains that pilots, himself included, felt no pride at causing destruction, but did have pride in serving their country and completing their tasks. This is his story.