Hikaru Utada Laughter in the Dark Tour 2018

Set 1: Samson and Delilah([traditional] cover) Cold Rain and Snow(Obray Ramsey cover) Jack Straw(Grateful Dead cover) Althea(Grateful Dead cover) Comes a Time(Jerry Garcia cover) Mr. Charlie(Grateful Dead cover) He's Gone(Grateful Dead cover) Going Down the Road Feeling Bad([traditional] cover) Set 2: They Love Each Other(Jerry Garcia cover) Playing in the Band(Bob Weir song) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) Fire on the Mountain(Grateful Dead cover) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'Playing in the Band' reprise) The Other One(Grateful Dead cover) (verse 2) Standing on the Moon(Grateful Dead cover) Not Fade Away(The Crickets cover) Encore: The Weight(The Band cover) Ripple(Grateful Dead cover)

During the summer of 1977 The Runaways took the unsuspecting nation of Japan by storm becoming the fourth most popular imported musical act behind Led Zeppelin and The Beatles. Unfortunately most of the available video footage from their two month tour is of fifth or sixth generation bootleg quality.

Liam traces back to the site of his former band’s defining performances, incorporating all-new interviews, behind the scenes and concert footage captured from 20 camera positions. The film explores and seeks out stories and perspectives from collaborators and fans from diverse generations from around the world, transposing the emotional and social context of the 90s’ shows versus the tumult of our current era.

Oasis Knebworth 1996 - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the 90's possible, directed by Grammy Award-winner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Also included are the full concerts from both nights, edited by Dick Carruthers with audio mixed by Will Shapland in 5.1 surround sound.

"Honor The Light" is a show that is Zara Larsson's own interpretation of the Saint Lucy tradition, a celebration of light in the darkest part of the year. Together with her band, dancers, and guest artists she offers us a magnificent pop show where classic Christmas songs are mixed with acoustic performances of her songs.

A musical tribute to the piano's 300th anniversary celebrates the legacy, grandeur and showmanship of this instrument. Hosted by "Piano Man" Billy Joel and taped before a live audience in Washington, D.C., this special mesmerizes audiences with its grand salute.

Join the KIDZ BOP Kids for a larger-than-life concert adventure featuring today’s biggest hits, including 'APT.', 'Pink Pony Club', and more. Get ready to sing, dance, and celebrate together as the theatre turns into your family’s very own dance floor!

Berlin, summer 1988: While Michael Jackson and Pink Floyd perform in the West, East Berliners can look forward to Bruce Springsteen, Depeche Mode and James Brown. The documentary reveals how the organizers enforced the concerts with the state authorities. On the anniversary of the fall of the Wall.

Inni is a live motion picture and album by Icelandic band Sigur Rós released in 2011.The concert footage was directed by Vincent Morisset and filmed at the Alexandra Palace in 2008. It was released on 7 November 2011 on various formats, including vinyl, DVD, Blu-ray and CD. Theatrical versions are also being shown around the world from late 2011. The songs played within are Ný batterí, Svefn-g-englar, Fljótavík, Inní mér syngur vitleysingur, Sæglópur, Festival, E-Bow, Popplagið and Lúppulagið. The bonus material contains All Allright, Glósóli, Hafsól and Við spilum endalaust.

From the euphoric first to the solemn sixth, the Brandenburg Concertos features some of Bach's finest and most popular orchestral music. Münchener Bach-Orchester ; Karl Richter, conductor and harpsichord. Recorded Apr. 1-10, 1970, Schloss Schleissheim No. 1 in F major, BWV 1046 -- No. 2 in F major, BWV 1047 -- No. 3 in G major, BWV 1048 -- No. 4 in G major, BWV 1049 -- No. 5 in D major, BWV 1050 -- No. 6 in B flat major, BWV 1051. Apr. 1-10, 1970. Orchestra: Münchener Bach-Orchester - Conductor: Karl Richter - Violin: Otto Büchner - Trumpet: Pierre Thibaud - Recorder: Hans-Martin Linde - Recorder: Günter Höller - Oboe: Manfred Clement - Flute: Paul Meisen - Viola: Herbert Blendinger - Viola: Ingo Sinnhoffer - Viola Da Gamba: Hans Dieter Kruse - Viola Da Gamba: Oswald Uhl - Cello: Peter Steiner - Double Bass: Franz Ortner

A feature length docu-concert film, Duran Duran celebrate their four decade long career, the release of their latest studio album FUTURE PAST, and the launch of a global world tour. An extraordinary night of music, shot on a Los Angeles rooftop, with the iconic Capitol Tower behind them and the Hollywood sign in the distance. A Hollywood High reminds us of the prolific's group of its diverse songwriting, and capturing their boundless live energy. The film also brings to life the band’s deep and lasting relationship with Los Angeles and through archival footage, interviews and behind-the-scenes it traces the band’s rise to become one of the most influential and successful groups of all time.

“Prince and the Revolution: Live” is a legendary concert filmed toward the end of Prince's “Purple Rain” tour in Syracuse, NY on March 30, 1985. The performance has Prince at the height of his powers, backed by the classic Revolution lineup of Wendy Melvoin, Lisa Coleman, Matt Fink, Mark Brown, Eric Leeds, and Bobby Z. The 20-song set features: Let's Go Crazy, Delirious, 1999, Little Red Corvette, Take Me With U, Yankee Doodle Dandy, Do Me Baby, Irresistible Bitch, Possessed, How Come U Don't Call Me Anymore, Let's Pretend We Are Married, International Lover, God, Computer Blue, Darling Nikki, The Beautiful Ones, When Doves Cry, I Would Die 4 U, Baby I'm A Star, and Purple Rain.

Filmed in Melbourne during the first several months of the COVID-19 pandemic, Sleeping Monster explores the prosaic beauty of King Gizzard & the Lizard Wizard’s studio routine. Featuring demos from the album "Changes", plus the track "Change" recorded live in the studio on film.