Ingrid Chauvin : notre combat pour adopter

FRONTLINE and The Associated Press examine allegations of fraud and abuse in South Korea’s historic foreign adoption boom. The documentary investigates cases of falsified records and identities among the adoptions of 200,000 children to the U.S. and other countries over decades.

In Argentina, almost all adopted children are under 5 years of old. Luis and Valeria open the doors of their home and tell us their family story. A true story full of obstacles, fears and love about paths that connect and people who meet by chance.

In the collective imagination, international adoption evokes images of children being saved from a life of destitution in poorer countries by being adopted by families in Europe or America. But the reality that has emerged is one of child trafficking, falsified documents and governments around the world turning a blind eye.

Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.

From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.

My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.

Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.

Despite the warm images in the family archive, photographer and filmmaker Jonnah misses an intimate bond with her (adoptive) parents. Over the years, a wall has been built between them that Jonnah is now trying to break down with her parents.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.

An intimate portrait of a real Modern Family: Meet Erik and Sandro, a gay couple with daughters birthed by their friend Rachel who's married with three teenagers of her own.

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.

In this powerful tale about the rise of Korea’s global adoption program, four adult adoptees return to their country of birth and reconnect with their roots, mapping the geographies of kinship that bind them to a homeland they never knew.

Adopted Montreal filmmaker Adrian Wills discovers, on camera and in real time, the startling truths of his complex beginnings in Newfoundland. Shocking details drive Wills to the core of his birth mother’s resilience, and ultimately his own. In this moving feature documentary that combines 16mm footage and contemporary images with deeply personal conversations, Wills’ voyage transforms from an urgent search for identity into a quest to give a quiet girl her voice.

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.