A Female Cabby in Sidi Bel-Abbès

Mina is a young woman who has three daughters and now she is 9 months pregnant. She loves her life very much. Her husband would like to have a boy, but she hasn't been able to deliver a baby boy so far. The people of her society believe that a man must have at least one son and they put pressure on her. The relatives and her husband tell her that if the 4th baby is not a boy, she has to allow her husband to marry another woman so that she may give birth to a boy. Mina has decided not to know about her baby's gender till the day of the delivery to overcome all the stress and tensions, so she hasn't taken a Sonography test and she waits until the baby is born.

CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.

An epic journey along Africa's Great Green Wall — an ambitious vision to grow a wall of trees stretching across the entire continent to fight against increasing drought, desertification and climate change.

This shocking documentary reveals the plight of young Nigerians branded as witches.

Diana, Ilana, Rona, Shelly, Rucha and Liat openly speak about their life in prostitution: from the initial lure, through learning the rules, to survival strategies. They present stories of independence, resourcefulness, pain and trauma, expressing an extreme feminine and human experience. Michaela (pseudonym) – a young woman currently engaged in prostitution, sounds off on the struggle to survive, turning her cellphone camera into a weapon. The women challenge what is expected of them – to be ashamed and conceal themselves.

The autobiographical account of the tormented life of a witness of the century: Louisa Ighilahriz, activist and leading figure in Algerian independence. A student, she joined the independence struggle at the age of 20, joining the ranks of the FLN on the eve of the Battle of Algiers in late 1956 under the name Lila. She took part in the high school students' strike, then fled into the maquis when she was actively sought after. She was part of the French FLN support network of "suitcase carriers" during the Battle of Algiers. Seriously wounded alongside her network leader, Saïd Bakel, during an ambush in 1957, hospitalized and then imprisoned, she suffered numerous tortures in French prisons. She will be saved from certain death by an anonymous person, she will seek, for forty years, to find him just to show him her gratitude... Emblematic of the painful Franco-Algerian history, Louisa's story is poignant and imbued with humanism.

Artificial Intelligence (AI) is possibly the most powerful technology of our time. It has the potential to solve humanity’s biggest challenges yet some fear AI will be our downfall. iHUMAN follows pioneers at the frontline of the race to develop the ever more sophisticated AI to find the questions we need to ask at this crucial point in history.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Biniam Girmay’s recent successes have shown that African cycling is on the up, ready at last to follow athletics and football into the big time. But why has it taken so long, and what’s needed to take it all the way? Set against the beauty and battles of the Tour du Rwanda, we explore the past, present and future of riders from Eritrea, South Africa, Rwanda and more, meeting Girmay and the rising stars hot on his heels, as well as the people passionate about giving these riders the opportunities they deserve. This is the story of the next great continent in cycling - Africa.

Celebrate International Women’s Day with this brand new inspiring film from LETTERS LIVE. In “LETTERS LIVE from the Archive: International Women’s Day”, remarkable letters are read by a diverse array of outstanding luminaries, including stunning performances from Olivia Colman, Gillian Anderson, Daisy Ridley, Caitlin Moran, Rose McGowan, Adwoa Aboah, Louise Brealey and more. Plus music from Roxanne Tataei.

Sir David Attenborough presents and narrates this wildlife series, a visual encyclopedia of the natural world. This episode looks at the fast, sleek and elegant cheetahs - supreme athletes and hunters of the animal world. Also the leopard, another deadly hunter, is observed in its natural habitat.

This film is the result of more than two years of work tracking down archive material and witnesses close to Mobutu in Africa, Europe and the U.S. More than 950 hours of footage have been seen by the world. Among the 104 hours selected as the basis for this film, are 30 hours of archives recently discovered in Kinshasa and never before released. Completing these exceptional documents, are more than 50 hours of interviews with those close to the former president and the events surrounding his reign, conducted by the director in Kinshasa, Brussels, Paris and Washington. Like a vast historical puzzle, this film pieces together the tragic history of a country, and its self-styled leader - the dictator, Mobutu Sese Seko, "King of Zaïre".