Gugusse and the Automaton

While Roboco is having fun showing off her signature knee impersonations in a nearby vacant lot, Bondo notices something and turns around. Not only does he sense that something unusual is about to happen, he also sees Roboco as if she is enveloping him and the others...!?

A belligerent hitwoman navigates a world of cutthroat killers as she attempts to get the money together in order to escape to Mexico and open a bar.

A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.

Spanky and the gang discover a demonstration of a "human-like" robot named Volto and are inspired to create a robot themselves to do their chores for them. Slicker Walburn convinces them they will need "invisible rays" to bring it to life which he just happens to have to sell to them. As they rush off to get their money, Slicker gets Boxcar Smith to wear the robot's outer body so when he "brings" the robot to life, it will be Boxcar bringing it to life. The gang unsuspectedly gets their robot to mow the lawn at Froggy's house, but with a signal from Slicker, Boxcar runs amok and mows down everything in his path. Froggy gets to explain what happened to his parents who bust up the fraud and get the miscreants to work with the gang to clean up the mess.

A husband and wife detective team takes on the search for a missing inventor and almost get killed for their efforts.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

When Death wants to bring the plague to Württemberg in 1349, he has not reckoned with the two guard soldiers Volckel and Utz, who engage him in a heated argument about plague ordinances and entry regulations.

Meet Ben - he holds a sign for a living, and he loves his job more than almost anything. But today is his last day.

Hannah returns home to face her dysfunctional and emotionally-repressed family after her attempted suicide. Her journey towards healing intertwines with the humorous clashes and unique bonds within the family.

Lester Wink, a door-to-door pet insurance salesman with a phobia of talking with strangers, must make a sale by 5pm, or get fired. He meets Sammy, a widow who is afraid to leave her house, and a friendship is born.

Two lovers caught in a perpetual cycle of self sacrifice where one has to kill themselves for the other to become alive but they keep repairing each other trying to find a way to break the curse.

The plot of the lost film is divided into two acts. Ossi Oswalda and Victor Janson play two apartment seekers, while Marga Köhler is a landlady. The housing shortage is treated in sketch form and "in a joking manner [...] the real housing calamity", whereby "humorous aspects" are wrested from the "tragedy." Lubitsch and Kräly used a sketch in the film that they had written especially for Ossi Oswalda.

As Pacworlders excitedly decorate for Berry Day, Pac is saddened about missing his parents as he receives a picture ornament of them from his Aunt Spheria. The teens reminisce of their childhood Berry Day as they enjoy Christmas eggnog. Since Berry Day is one of the happiest days of the year, Betrayus launches a plan to get rid of the day by capturing Santa Pac and his Round Deer and to possess the gifts and Berry Day decorations. All Pac wants for Berry Day is to see his parents Sunny and Zac and is overjoyed when they arrive. But, his parents tell him they want to see the tree of life in the secret location which is forbidden. Are these Pac’s real parents or are they a trick from Betrayus and Dr. Slimestein? Let’s hope Berry Day can be merry after all.

A Salesman tries to locate a notorious Mexican bandit.

The scene is a parlor out West, with Ray Mayer sitting at the piano in is cowboy duds - hat, scarf, and chaps. He plays a little barrel-house music and then introduces Edith Evans, who enters wearing fur. She sings - her voice a light-opera soprano - while Mayer plays.