The Last Days of the USSR

On April 11th of 2002 a coup d'état against the venezuelan president Hugo Chávez Frías kept the country in a state of total uncertainty regarding his whereabouts, two days later he returned to power. This is a chronicle of those days.

In a remote mountain village of 15th-century Joseon, humble headman Heung-do hears a rumor that any village hosting an exiled nobleman will be blessed with abundance and fortune. Hoping to bring prosperity to his impoverished community, he eagerly submits a petition to host one—unaware that his guest is none other than the fallen monarch, deposed boy-king Danjong.

Torn by personal guilt, Italian General Umberto Nobile reminisces about his 1928 failed Arctic expedition aboard the airship Italia.

In czarist Russia, a neurotic soldier and his distant cousin formulate a plot to assassinate Napoleon.

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

Since Russia was brought to its knees in the 1990s by crippling debt and the grip of the oligarchs following the collapse of the Soviet Union, Vladimir Putin has made it his mission to return superpower status to Russia. While not partisan to Putin's wrongs, this insightful doc examines the logic and motivations of Putin's vilified regime, and why he is so loved in his homeland.

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.

Between 1944 and 1953, 170,000 Estonians, Latvians, and Lithuanians put up fierce resistance to the Soviet invasion, hiding deep in the vast Baltic forests. Driven by a dream of freedom, they defied a ruthless empire with few resources but unwavering determination. Through previously unseen archives and the poignant accounts of the last survivors, this documentary reveals their clandestine struggle, their heroic sacrifices, and their legacy, timeless symbols of a desperate fight to escape the Soviet stranglehold and preserve the flame of independence.

The night of July 15, 2016 changed the history of Turkey. On that day there were coordinated attacks by parts of the Turkish army, among others in Istanbul. The aim of the military: a coup against the government. The decisive confrontation occurred on the Bosporus Bridge. While President Erdogan was still on vacation, live at TV he called on the people who were devoted to him to stand against the military. As an enemy for the masses, he presented his adversary Fethullah Gülen, whom he branded as the coup leader. He also urged the imams of the country's mosques to condition the population to resist. And so it happens that at night thousands of agitated people take to the streets to oppose the armed insurgents. The death toll was high. 352 people died across Turkey during the attempted coup. The consequences are even more serious: Erdogan used this gift, as he called it himself, to undermine democracy, to arrange mass arrests of dissidents and to transform Turkey into a dictatorship.

A Jewish boy separated from his family in the early days of WWII poses as a German orphan and is taken into the heart of the Nazi world as a 'war hero' and eventually becomes a Hitler Youth.

In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riots of October 88. This wave of protest, with youth as its figurehead, echoed the texts of raï singers. Thirst for freedom, misery of life and the aspirations of youth are among the main themes of their works which will inspire an entire generation. More than music, raï celebrates the Arabic language and becomes a vector of Algerian culture, thus providing the cultural weapons of emerging Algerian nationalism With Cheb Khaled, Cheb Mami and Chaba Fadela as leaders of the movement, raï is also a way of telling and reflecting the essence of Algeria in these difficult times. While the threat weighs on artists in Algeria, their exile allows raï to be exported internationally and thus, to bring the colors of Algeria to life throughout the world.

A friendsbook was like Facebook during the Soviet times. Many had one. Russian kids called it a Form. Classmates were asked to write in it and say what they thought love is, what they wanted to be when they grow up, what their favourite food was. It was mostly girls who had friendsbooks, of course. Twenty-five years later, Alyona Surzhikova browses her 6th grade friendsbook and decides to go and find her then classmates to ask whether their dreams have come true. She travels to Russia and Germany and even Cambodia and puts together a thought-provoking aggregate portrait of the Russian generation that grew up during the restoration of Estonia’s independence. Many of them have left Estonia by now, with half of Surzhikova’s classmates living abroad. Why did they do that? What do they think about Estonia? And what would they write into the Form now?

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.