Coffee Date

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

Karim, 30, drives every night. One day at dawn, he drives his last client - a foreign artist, the same age than him. Karim feels irresistibly attracted towards this young man. What he feels will start questioning who he thought he was.

Nicolás's irreverent night plans change when he meets up with Luka again; an attractive and carefree ghost of his past.

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

Based on Tommy Jaud's bestselling novel, this comedy focuses on a dispassionate clerk and his set-backs in life. 29-year-old Simon works in a phone shop, but his thoughts just circle around finding a new girl-friend after being left by his last one year ago. While his Croatian cleaner tries to procure him, his efforts to chat up women in clubs also fail. However, he finds the woman of his dreams (and mother of their future children) in his most hated coffee shop, although not having a clue how to win her heart...

In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.

During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

Leon's wife wants to surprise him by buying the cabin where they had spent their honeymoon. But when she secretly meets with the man who owns the cabin, Leon misunderstands what she is doing, and gets suspicious. When his friend at work convinces Leon that his wife is going to run away with another man, Leon decides to take immediate action.

Leon's boss buys a racehorse, but doesn't want word to get out that he is the owner, so he has the papers filled out showing Leon as the owner of record. At first, Leon is excited, but the arrangement soon creates difficulty for him. First, he knows nothing about horses except how to bet on them, and second, when his wife finds out, she is furious.

When a nervous and inexperienced pizza delivery boy stumbles upon a crime he must go on the run and maybe stumble upon saving the day

A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.

Cab driver Henry's routine takes a terrifying turn when he picks up a mysterious passenger named Mathias, his face covered with a dog mask. As they navigate through the dark city streets, Henry's night spirals into a nightmare as he can't seem to get rid of his client. Trapped in his own car, Henry must confront his deepest fears to survive the nightmarish journey and get his five-star review to not lose his job.

A bored bisexual millionaire picks up a young destitute street artist and whisks her away to her villa in Saint Tropez. They meet a dashing local architect and both fall for him, setting in motion a ménage à trois of deception and betrayal.