Manson

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

In 1989, a group of avant-garde artists who had collaborated in private for years received permission to organize their own exhibition at the National Art Museum of China. However, one of the terms was to exclude performance artists from participating. The seven artists who were left out took action. At the opening ceremony, their lives changed as the sounds of gunfire rang out.

White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

ABC retells the dark, disturbing story of Manson — and his twisted cult of devoted followers he instructed to carry out a series of grisly homicides in 1969. In this two-hour documentary.

In the 1990s many people in Kurdistan were taken into custody and interrogated under torture; their killers disposed of the bodies by throwing them out of helicopters, or burying them in acid-filled wells. Thousands were murdered/disappeared by paramilitary forces—such as Jitem and Hizbul-Kontra—that were financed and supported by the state, though they have always stuck to the line: “We didn’t do it.” The documentary looks at the case of seven people, including four children, who were disappeared from the town of Kerboran [Dargeçit] in 1995, and tells the story of their families’ tireless search for their bones

The Goose Lake International Music Festival held August 7–9, 1970 in Leoni Township, Michigan, "was one of the largest music events of its era", and featured many of the top rock music bands of the period. Songs performed include: Savage Grace - All Along The Watchtower, John Sebastian - Darling Be Home Soon, Harmonica Solo - Teegarden & Van Winkle, Ten Years After - Sweet Little Sixteen, The Stooges - 1970, Mountain - Ain't Got A Dime Jam, Mississippi Queen.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

A documentary analyzing the social, political and cultural climate of Hollywood in the mid-1960s.

Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.

The incredible true story of the Renaissance Community commune, one of the largest, most controversial intentional communities of the 1960s and 70s, and its flamboyant founder, Michael Metelica Rapunzel.

By the 1970s the global counter-culture movement had well and truly reached Australia, seeing young, educated hippies from well-to-do families moving to the Bellingen region to live an alternate lifestyle. Back then, Bellingen was a rundown, quiet country town with business in decline. Then, new ideas, new ways of living and a new status quo began to take control. What some called an influx of hippies, others called an invasion on the conservative lifestyle of farmers, causing a clash of ideals. Compiling countless hours of 8mm footage and historical photos, retired journo Peter Geddes and filmmaker Peter Gailley paint the historical landscape of how modern Bellingen came to be, following the cultural movement that eventually became the backbone of Bellingen’s identity.

This documentary, made over a period of eight years, tells the remarkable story of an extremely influential rock'n'roll band. Starting from their mid-60's garage band roots (sounding amazingly like the Sonics), the Motor City 5 deveoped into an icon for a brand of loud, crushing music reflecting their industrial roots. Even if you don't care for their music (and you're bound to like even a few of their songs), their story is fascinating. It combines 60's protest, youthful braggadocio, and a style of music that would help carry one to the likes of Iggy and the Stooges (not to mention certain aspects of punk rock). This film is clearly a labor of love, combining extraordinarily rare live shows, still shots, a nearly-continuous backdrop of MC5 tunes, penetrating interviews with the remaining members and their spouses, and even FBI surveillance shots. It's the ultimate testimonial to a band that only gains in stature as time goes on.