Vanaja

A court-marshalled soldier with a traumatic past helps a young girl from 'lower' caste and an aspiring boxer work towards her dreams despite her hostile environment.

Based on the game of Chess that delves into the conflicts and confrontations of people between the rich and poor class and high and low strata of society. How does an ordinary boy, from the community of sanitation workers, become a grandmaster?

Ramnarayan Tiwari, a Brahmin (uppermost caste as per the caste system in India) is a peon in a government undertaking, where recently, a Dalit (lower caste), has risen to become a big officer. Tiwari burns with resentment towards this officer’s hierarchical superiority because he considers himself superior as per the religiously ingrained caste system. Tiwari is also frustrated as his promotion has been overdue for years. The officer’s bathroom’s drain has choked. Tiwari tries to look for the official sweeper, also a lower caste man. This role-reversal story is about how Tiwari’s need for promotion, and his caste prejudice towards the officer, counterbalance each other to solve the problem of the choked drain.

After the murder of his wife, and his son's kidnapping, Dr. Vidya Bhushan decides to devote the rest of his life as a Poojary, living on the premises of a princely-donated temple, hoping ...

Circa British Rule in India, a man vows to make his only surviving son, Narayan, alias Nani, a Brahmachari to atone for the deaths of five of his children. He takes this child to a remote village in Karnataka, South India, where he leaves his 11 year old son in the care of a learned Archarya, Udup Pandit. Here Nani gets to meet two other disciples of the Archarya, as well as his widowed daughter, Yamuna, and another male by the name of Shrikar Upadhyay, who also teaches the British how to read and write in Hindi. The Archarya goes away for a few days, and when he returns nothing is the same anymore. His daughter is pregnant, the villagers are all set to remove her from the village, they are also angry with him for refusing Yamuna to follow the traditional way of a Hindu widow.

The year is 1893 and India is under British occupation. In a small village, the tyrannical Captain Russell has imposed an unprecedented land tax on its citizens. Outraged, Bhuvan, a rebellious farmer, rallies the villagers to publicly oppose the tax. Russell offers a novel way to settle the dispute: he challenges Bhuvan and his men to a game of cricket, a sport completely foreign to India. If Bhuvan and his men can defeat Russell's team, the tax will be repealed.

An ambitious Indian driver uses his wit and cunning to escape from poverty and rise to the top. An epic journey based on the New York Times bestseller.

‘SHAILA’ is a Hindi-language musical romance film produced by SUNIL SHARMA and written and directed by SAKI SHAH. The film star Rohit Choudhary and Sara Khan as Kunal and Shaila. Its an emotional journey that captures the essence of finding love in most unexpected places. ‘SHAILA’ takes you on an emotional journey through love's tender moments and heart-wrenching trials, set against the stunning backdrop of one of the world's most beautiful regions.

Casteism and racism are not stories from remote past. In Indian society, these evils take a peculiar shape at the intersection of 'class'. "Kathrika" features the happenings inside a beauty salon, giving sneak peak to the ugly side of discrimination in our times.

Madhukar and Parthavi fall head over heels in love with each other, but the fact that they belong to different castes of society, becomes an obstacle in their romance. The lovers dare to go against societal norms and battle all odds for the sake of love.

Narayanappa, a Madhwa Brahmin man, dies in the Agrahara of the village Durvasapura. As per Madhwa customs, his last rites must be performed at the earliest. However, due to Narayanappa's rebellious actions in life, which included eating meat, consuming liquor and marrying a prostitute, there is disagreement amongst the Brahmins of the village as to who will perform his rites.

When Neelesh, an idealistic law student from a marginalised section of society, steps into a prestigious institution, he is thrust into a world that doesn't reflect his own. His friendship with Vidhi offers hope-until a wave of tragedy exposes the deep-rooted hierarchies he tried to outrun. He must confront the invisible forces that shape who we are allowed to become and who we are allowed to love.

Sivaraman belongs to a low caste and is a cobbler by profession. He was orphaned as a little boy and has since been brought up by a couple belonging to the lower caste. A trip to the 'agraharam' brings back memories of his childhood and he realises that he is in fact a Brahmin and the son of the head priest at the temple. Wishing to help his real family while at the same time unable to forget the parents who adopted him, he shuffles between the two vastly different worlds. Maheswar, a lower caste woman, waits for him back home while Gayatri falls in love with him in his new life.

Four lives intersect along the Ganges: a low caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.

Vaidehi belongs to an orthodox Brahmin family and falls in love with Sankarapandi who is from a different caste. Their love is disapproved by her father but is accepted by Sankarapandi's family.