Tonite Let's All Make Love in London

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

From the back rooms of Camden's pubs to the roof of Buckingham Palace at Queen Elizabeth’s Jubilee: the London band Madness enriched British pop music history with their cheeky style and spectacular performances. In this documentary, we look back on their illustrious career with interviews with band members, friends, and music industry figures. Featuring brand new recorded interviews with Suggs and Bedders from ‘Madness’. Alongside interviews with Lynval Golding, Rhoda Dakar, Clive Langer and many more.

A celebration of life in the Sahel region of Africa, this film showcases many of Niger’s venerable music styles. Tuareg Electric Guitar trance rock, Bori cult dance ceremonies, Fulani Folk, and Roadhouse Gospel Rave-ups are some of the segments included in this latest "Folk Cinema" classic from Sublime Frequencies! Filmed in December of 2004 on location in Niger, Hisham Mayet delivers a spontaneous, raw, and inspiring collection of images, music, and ceremony (again with a single camera presentation) from a nation mired in poverty and continual post-colonial disappointment. Quoting from Mayet’s liner notes: "This is not music as commodity, this is music as survival. There is a saying in Niger that goes, "when we die we know we are going to heaven because we already live in Hell" well I think its more like the purgatory that we all live in and they sure have managed to transcend with an incredible natural resource: Music. Dig it!"

Neil Hamburger is a two-bit stand-up with a bad comb-over--an aging, phlegmy jokester with a penchant for cheap celebrity jabs. He's also the brilliantly odd creation of Gregg Turkington, a decidedly more gifted comedian who has found a loyal cult following for his Tony Clifton-esque character. In this concert release, Hamburger performs a handful of twangy country tunes alongside the Too-Good-For-Neil-Hamburger Band, a name that speaks the truth: the back-up group includes veteran rockers Prairie Prince, David Gleason, and Atom Ellis.

"Shot live for TV by the legendary German music show “Rockpalast” this DVD represents the earliest example of a complete Fahey concert performance. The multi-camera filming features detailed close-ups of Fahey’s playing style giving fans a rare insight into what Pete Townsend has called the William Burroughs of the guitar. Fahey’s 1978 visit to Europe saw him in fine wild form performing an 11 track set and as an incredibly rare bonus a short interview with the maverick iconoclast.

A documentary that explores the challenges that a life in music can bring.

The National Library of France is the guardian of priceless treasures that tell our history, our illustrious thinkers, writers, scholars and artists. Telling the story of the exceptional treasures of the National Library of France is like opening a great history book rich in many twists and turns. Without the love of the kings of France for books and precious objects, this institution would never have seen the light of day. The story begins in the 14th century under the reign of a passionate writer, Charles V, who set up a library in his apartments in the Louvre. But it was not until the 17th century, and the reign of Louis XIV, a lover of the arts and letters, that the royal library took over its historic quarters in the rue Vivienne in Paris, which it still occupies.

Documentary of the Symposium on the Dialectics of Liberation and the Demystification of Violence, held in London, July 1967, organized by R.D.Laing, with Stokely Carmichael, Allen Ginsberg, Paul Goodman, Herbert Marcuse, John Gerassi, and many others. An important record of the spectrum of left-wing politics and personalities during the turbulent Sixties.

Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

Recent scandals have revealed the brutal methods often imposed on young top athletes. Fueled by numerous testimonies, this damning investigation reveals the workings of a system which sacrifices children in the name of economic interests and glory.

BTS 5th Muster: Magic Shop was BTS's 5th Muster concert and fan meeting event. It took place from June 15, 2019 to June 23, 2019 in Busan and Seoul, South Korea.

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.