I'm Much Obliged

During the Great Depression, vaudeville has fallen on hard times. The Palace Theater may have to close its doors, unless the proprietor, William Jenkins, does something different, so he allows his 12-year-old son to put on a kiddie show that packs the house.

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera in a studio.

When Death wants to bring the plague to Württemberg in 1349, he has not reckoned with the two guard soldiers Volckel and Utz, who engage him in a heated argument about plague ordinances and entry regulations.

Meet Ben - he holds a sign for a living, and he loves his job more than almost anything. But today is his last day.

Hannah returns home to face her dysfunctional and emotionally-repressed family after her attempted suicide. Her journey towards healing intertwines with the humorous clashes and unique bonds within the family.

Lester Wink, a door-to-door pet insurance salesman with a phobia of talking with strangers, must make a sale by 5pm, or get fired. He meets Sammy, a widow who is afraid to leave her house, and a friendship is born.

Santa's workers demand to be entertained and thus put on a musical show for themselves.

As Pacworlders excitedly decorate for Berry Day, Pac is saddened about missing his parents as he receives a picture ornament of them from his Aunt Spheria. The teens reminisce of their childhood Berry Day as they enjoy Christmas eggnog. Since Berry Day is one of the happiest days of the year, Betrayus launches a plan to get rid of the day by capturing Santa Pac and his Round Deer and to possess the gifts and Berry Day decorations. All Pac wants for Berry Day is to see his parents Sunny and Zac and is overjoyed when they arrive. But, his parents tell him they want to see the tree of life in the secret location which is forbidden. Are these Pac’s real parents or are they a trick from Betrayus and Dr. Slimestein? Let’s hope Berry Day can be merry after all.

A Salesman tries to locate a notorious Mexican bandit.

The scene is a parlor out West, with Ray Mayer sitting at the piano in is cowboy duds - hat, scarf, and chaps. He plays a little barrel-house music and then introduces Edith Evans, who enters wearing fur. She sings - her voice a light-opera soprano - while Mayer plays.

Comedian Chaz Chase performs his vaudeville act.

Elmer proposes to Molly, but she says he needs her fathers permission. He wants Elmer to become a ballplayer, but his eyesight keeps getting him into trouble. Elmer also needs a new pair of glasses.

On a stormy summer night, Mathieu walks in on his parents. Horrified, he shares his disturbing discovery with his friends on a fishing trip and begins to ask some big questions. Faced with the loss of his innocence, Mathieu sets himself a mission. He’s going to make sure his parents don’t do the unforgiveable: bring another child into a burning world.

While visiting his dad for the weekend, Sam discovers that his grandfather was a touring vaudeville performer. Acting out, because his dad is too busy to notice, Sam steals his dad's camera and, together with his friends, makes a film in an effort to gain his dad's attention.

A tale about isolation and lack of communication, the gap between the reality a teenage boy lives, and how he would like it be. He has a secret that he would like to tell his family, something that he has come to terms with and is about to affect the rest of his life. But how will they react?