Daughter of Keltoum

Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.

Set against the vibrant backdrop of contemporary North Africa, this drama follows three women as they navigate the complex interplay between tradition and modernity. Each woman, driven by her own desires for success and meaningful relationships, faces societal pressures and cultural constraints that test their resolve. As their lives unexpectedly intersect, they reveal the shared struggles and resilience needed to overcome the obstacles placed in their path.

Algeria. Benjamin, Kateb and Antoine are three teenagers from three religious backgrounds who never should have met. But they share the same passion for football and the same disregard for the disapproving looks which their unusual friendship draws.

The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

Despite his lack of political convictions, photojournalist Bruno Forestier is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement.

In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.

A small British army team is sent deep behind enemy lines to destroy a German petrol dump as part of the preparation for a major attack in the North African campaign. Sea of Sand was distributed in the US in a shortened version, Desert Patrol.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities

A famous, ruthless writer takes a handsome young worker, with aspirations of becoming a tightrope artist, as his lover and protege, but suffers tragic consequences when he later discards him for another youth.

During the colonial period in Algeria, Sergeant Bouvard helps Broussole and his two daughters, Alise and Julie, settle in Hassi Ben Okba. Demobilized, he plants vines with them. Seduced by Julie's charms, he nevertheless marries Alise because she owns the land. He protects Julie from all her lovers but cheats on Alise with Adèle, a settler's wife. Unable to bear it any longer, he runs away with Julie to Oran. The death of his father brings him back to Bou-Okba. He stays with Alise until the day when, selling his wine in Oran, he is taken over by his passion. It is Julie who will tell him to resume married life and start a family of settlers.

Mounir Mekbek lives with his family in a small village in the heart of the Algerian countryside. Very proud and sure of himself, he has only one dream- to finally be appreciated by his fellow villagers. Screwing up his carefully maintained image is his headstrong, narcoleptic sister Rym who falls asleep anywhere and whom the village is convinced will end up a spinster. One evening, Mounir returns from town drunk and announces that he's found a suitor for his sister. The fake story snowballs and snowballs until the suitor morphs into a rich, blonde Australian. The village begins preparing for the wedding in earnest - but without a bridegroom in sight.

Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.

During the 1942 North African campaign, a British straggler passes as a waiter at the hotel commandeered as Erwin Rommel's headquarters. He has thoughts of assassinating Rommel but his cover may provide an even better use.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.