Palayathu Amman

It chronicles the legend of the progressive Telugu poet-saint Vemana from his being a rebellious and hedonistic youth from a landed elite to a renunciate.

Raama, who is a devotee of Lord Venkateswara, denounces worldly pleasures including his soon-to-be-bride and maradalu Bhavani and ends up at Tirumala. He decides to change the face of Tirumala by turning it into ‘Kaliyuga Vaikuntham’ both for pilgrims and the deity with the help of Krishnamma. His endeavours to do so, the hurdles and his encounters with the Lord himself is the story.

A powerful man of a village kills a devotee on the eve of her wedding; he does this as his daughter is in love with the groom. He also seeks the help of an occult to acquire treasure until a neighboring deity comes to the rescue of this village.

Sree Hari Hara Sudhan Swami Ayyappan Movie is Fully 3D Animated Devotional Story of Lord Ayyappan.

Rasaiya and Rajeswari are tribal newly weds, out for a midnight stroll in the forest. Three drunk businessmen('Nizhalgal' Ravi, Thyagu, Ponnambalam) accost them and when Rajeswari refuses to succumb to their advances, they kill the couple. Rajeswari is them reborn as the child of a poor couple and once she remembers her past, starts taking her revenge. Once she has disposed off the first two, she finds out that the son of the third is a look-alike of Rasaiya. When Rasaiya ends up marrying the girl of his father's choice, Rajeswari attempts to prevent the consummation of their relationship and steal her husband back.

Meera is immersed in her love and devotion to Lord Krishna since a young age. When she grows older, her family get her married to the Rana of Mewar. Misunderstandings occur when her devotional poetry is thought to be love songs for someone. Several hardships are inflicted on her by her husband and her in-laws. She takes to sitting in the temple and singing bhajans (sacred songs) composed by her. Her brother-in-law tries to have her killed many times, but fails. She finally renounces her life in the palace and wanders from place to place singing devotional songs.

Deepak and Jyoti have been lovers since childhood. What will happen when the savior of the world, Shri Krishna, joins their love story?

Facing imminent financial ruin, Pawan, a young man devoted to the revered Dera Baba Laal Badshah, stumbles upon a huge cash fortune. The sudden appearance of this wealth plunges him into a fierce moral crisis, pitting his honesty against his desperation. Simultaneously, the Dera—the very center of his faith—is challenged by the powerful and ruthless land-grabber, Rana Dishaori, who imposes a near-impossible deadline for its surrender. Guided only by the cryptic, powerful spiritual voice of Baapu Laal Badshah Ji, Pawan realizes the illicit money he found is the unexpected key to saving the sacred shrine. He must embark on a perilous, time-sensitive quest to uncover the hidden connection between the wealth and Rana Dishaori's tyranny. LAAL MERE NAAL NAAL is a high-stakes devotional thriller about a common man's ultimate test of faith, as he races against the clock to expose corruption and prove that spiritual integrity triumphs over material greed and power.

Bhakta Kumbara is a 1974 Indian Kannada biographical film, directed by Hunsur Krishnamurthy and produced by N R Anuradha Devi. The film stars Rajkumar, Leelavati and Balkrishna in lead roles. The film had a musical score by G.K. Venkatesh. Actress Sridevi essayed the role of Muktha Bai (as a child artist), thereby the latter making her Kannada film debut. The movie is based on the life of Gora Kumbhar, a potter turned into a saint who lived in the 13th and 14th centuries in Teredoki village. He supposedly lost his child while curing the clay by his legs for making pots, because he did not notice his child fumbling under his feet as he immersed himself in chanting the name of God. He was called Saint Gora Kumbara by the people of Maharashtra.

It is a 1974 Kannada-language Hindu mythological film directed by Vijay. The film, based on lord Venkateswara, stars Rajkumar, B. Saroja Devi and Manjula. It also featured the first screen appearances of future actors and Rajkumar's sons, Shiva Rajkumar and Raghavendra Rajkumar. The movie was dubbed in Tamil as Ezhumalaiyan Dharisanam and in Telugu as Sri Tirupatikshetra Mahatyam (1977).

The legend of Prince Puran, born under King Silwan of Sialkot's curse which binds his parents never to set eyes on him until he is 16. Accused of leading a debauched life by an evil general and by the king's second wife, Puran is sentenced to death. Rescued by the mystic Gorakhnath, he becomes an ascetic. When the king is overthrown, Purna rises from his meditations to depose the general who has seized power, before returning to his life of renunciation.

In the spring of 2017, film-makers Vincent Moon and Priscilla Telmon were invited to make a contemporaneous portrait of The Sai Anantam Ashram, the multi-ethnic and multi-generational spiritual community founded in 1983 by Alice Coltrane Turiyasangitananda, which included speaking with some of the community's elders, as well as Alice's sister, singer Marilyn McLeod.

The Boardwalk is the Bridge Because Everything is Water is an experimental film that says, "thank you, water" and also serves as an environmental portrait of New Hampshire.

Two humble indigenous woodcutters discover the wreckage of a plane that has crashed at the top of the mountains and decide to steal the belongings of all the occupants killed in the accident.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR