1 a Minute

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.

Intended as an account of Minogue's return to the stage following her recovery from cancer, the film features on-stage and back-stage footage and interviews with several of Minogue's tour crew, including the director, William Baker. Kylie's sister Dannii and U2 lead singer Bono are also featured.

The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

An intimate documentary that follows Tig Notaro, a Los Angeles based comedian, who just days after being diagnosed with invasive stage II breast cancer changed the course of her career with a poignant stand-up set that became legendary overnight. It explores Tig's extraordinary journey as her career ignites and as her life unfolds in grand and unexpected ways, all the while continuing to battle a life-threatening illness and falling in love.

We call them by a hundred different names: boobs, knockers, jugs, hooters. We wonder if they're real or fake, too small or too big, too exposed or too covered. And every year Americans spend millions of dollars on breast enhancement, from push-up bras to surgery. Why is our culture so captivated by this particular part of the female form? "Boobs: An American Obsession" is a revealing, humorous, often poignant investigation involving everyone from anthropologists to porn stars as we explore our culture's fascination with breasts.

Breast cancer has become the poster child of corporate cause-related marketing campaigns. Countless women and men walk, bike, climb and shop for the cure. Each year, millions of dollars are raised in the name of breast cancer, but where does this money go and what does it actually achieve? Pink Ribbons, Inc. is a feature documentary that shows how the devastating reality of breast cancer, which marketing experts have labeled a "dream cause," becomes obfuscated by a shiny, pink story of success.

Marie-Philip is a PhD student and part-time professor who loves cats and Harry Potter. But one week before her 29th birthday, she is diagnosed with breast cancer. For a year, without false modesty, we follow her through each step as she confides in us with shocking honesty. An ode to life, to courage and to the resilience of all those who fight every day against disease.

One in eight Dutch women gets breast cancer, which means that most people know someone who struggles with this life-threatening disease. The part of a woman's body where she is probably the most vulnerable, beautiful, proud and sexy becomes a source of despair and rage. For Ingrid, Vicky and Sabrina, breast cancer takes on various forms. They are working towards recovery through tough and painful treatment, but are acutely aware that the disease can rear its ugly head again without warning. They feel damaged and insecure, and their self-esteem is at stake, for the disease has eroded their sense of femininity. In a very personal and intimate way, Awake in a Bad Dream shows how the women and their partners try to regain control of their lives after the diagnosis. Without comment or interviews, the film follows Ingrid, Vicky and Sabrina as they face inevitable and painful choices at the hospital.

Gerry Rogers, a filmmaker in Newfoundland, documents her personal battle with breast cancer. With her partner Peggy and lots of support from family and friends, she makes her way to recovery.

I WANT SO MUCH TO LIVE explores the pioneering efforts of Genentech and the many individuals who came together to develop Herceptin, the world's first 'targeted therapy' for breast cancer.

Investigates the controversy swirling around the breast cancer screening test mammography.

The Cut of It is a unique exploration of the decisions real women made when they were diagnosed with cancer.