B-25 One Helluva Bomber

This war drama depicts the U.S. and Japanese forces in the naval Battle of Midway, which became a turning point for Americans during World War II.

In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.

In 1940, the Royal Air Force fights a desperate battle against the might of the Luftwaffe for control of the skies over Britain, thus preventing an attempted Nazi invasion.

The German soldier Clemens Forel - determined to be reunited with his beloved family - makes a dramatic escape through bitter cold winters, desolate landscapes, and life threatening ventures from a Siberian labor camp after World War II. 8000 miles and three endless years of uncertainty later, he is finally about to reach his destination... An edge of your seat drama that celebrates the power of the human spirit and the force of will, while inspired and impowered by love.

In the days after the attack on Pearl Harbor, panic grips California, where a military officer leads a mob chasing a Japanese sub.

A misfit group of World War II American soldiers goes AWOL to rob a bank behind German lines.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

In Fascist Albania 1942, Albanian partisans will do all they can to remove the Italian fascists from their country.

Easy Company, the 2nd Battalion of the 506th Parachute Infantry Regiment of the 101st Airborne Division, fought their way through Europe, liberated concentration camps, and drank a victory toast in April 1945 at Hitler's hideout. Veterans from Easy Company, along with the families of three deceased others, recount their horrors and victories, bonds they made and the friends they lost.

Resistance leader Omar Mukhtar opposes Italian colonization before World War II. The brutal guerrilla war against Italian General Rodolfo Graziani and the Fascist forces of Benito Mussolini highlights the struggle for Libyan independence and the harsh tactics utilised by the colonisers.

A British commando is on a one-man raid to destroy a bomb factory in Nazi-occupied France. He must enlist the aid of French farmers to complete his mission.

A POW in World War II is put to work in a Munich zoo, looking after an Asian elephant. The zoo is bombed by the Americans and the director of the zoo decides it is not safe for his Asian elephant Lucy to remain there. So he sends Brooks to safety with Lucy. They escape and go on the run in order to get to Switzerland.

In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.

In 1943 Malmö, 15-year-old Stig is attracted to his teacher Viola, 22 years his senior, who, drawn to his youth and innocence, believes the lad is a God-sent relief from her miserable marriage to a drunken, unfaithful lout.

In this short film, poet and holocaust survivor John Guzlowski bears witness to his parents’ survival of Nazi slave labor camps. More than a personal remembrance, the poem carries his mother’s plea — “tell them we weren’t the only ones” — a call to acknowledge the countless lives scarred by war, displacement, and silence. Through Guzlowski’s measured reading, the film becomes both intimate and collective: a meditation on inherited trauma, the duty of memory, and the fragile line between history and forgetting.