Tosca

Bambi's tale unfolds from season to season as the young prince of the forest learns about life, love, and friends.

Puerto Rico: Young and pregnant, Wilma fears becoming absorbed by motherhood like her sister Luisa, losing both herself and her artistic aspirations. On this morning, her mother, a santera, presents her with a startling premonition: Life has other plans for her, her children and her family.

Locked in a high-tech English manor, bound in a deadly duel of wits, Andrew Wyke and Milo Tindle come together as English gentlemen to discuss the matter of Wyke's wife: the woman both are sleeping with.

Doug and Amber were madly in love and married during their college years. Driven by the "dream" of a prosperous life together - Amber worked two jobs to put Doug through school. Soon after they shared in his business success and celebrated the birth of their precious, beautiful daughter. Fast forward 15 years - Amber has continued to be committed to her husband and their marriage, but Doug has fallen into the traps of an unfaithful spouse, convincing himself that he wants more out of life. In the midst of this turmoil, tragedy strikes, but the series of events that follows just might give this couple a chance to survive and once again regain the love for one another that was pledged in their sacred vows, 15 years earlier.

A tale about isolation and lack of communication, the gap between the reality a teenage boy lives, and how he would like it be. He has a secret that he would like to tell his family, something that he has come to terms with and is about to affect the rest of his life. But how will they react?

The war drama The Horse Patrol is an adaptation of the play of the same name by writer and military doctor František Langer. It takes place in 1919 in Russia and depicts the conflict between members of the Czechoslovak legions and Soviet agitators who are trying to forcibly integrate the legionnaires into the Red Army. Members of the legionnaire's horse patrol, led by sergeant František Matějka (Z. Štěpánek), befriend the inhabitants of a Russian village, but after a cunning attack they find themselves isolated in a lonely building. They are holding two Russian prisoners, while two of their soldiers have set out to report to their superiors. The horse patrol then loses its horse due to betrayal and must prepare for an unequal battle during a major Red Army attack...

It sets in China 1945, a romance develops between the young Ningjing ZHAO (Xun Zhou) and LIN Shuang-Ran, although they are distant cousins ​​and Shuang-Ran is already betrothed. Each will seek to fight against there destiny to try to live each their romantic feelings.

This is a romantic story about a brave, self-made girl, despised daughter of a shepherd. She is not afraid of anything - neither night nor swimming. But the superstitious villagers are telling weird stories about her and about all sorts of strange things, even her conjunction with the powers of hell.

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.

Renée Fleming sings one of her signature roles, the title character in Dvořák’s sumptuously melodic Rusalka. The story of the opera, which is about a water spirit’s tragic romance with a human prince, is drawn from several folktale sources including Hans Christian Andersen’s “The Little Mermaid.” Star conductor Yannick Nézet-Séguin leads a cast that also includes Piotr Beczala as the handsome Prince whom Rusalka yearns to love; Dolora Zajick as the cackling swamp witch Ježibaba; Emily Magee as the Foreign Princess, Rusalka’s rival; and John Relyea as Rusalka’s father, the Water Sprite.

Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.

Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.

Markus Viitanen, a sculptor living in Suomenlinna, has not seen his son Eero for fifteen years. When he learns of Eero's death, he sets out to find out what kind of person Eero grew up to be during his nineteen years of life, and how the nanny Katri relates to the rest of Eero's life.