Carnal Lust

A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.

While fighting for a woman who sits on death row, a lawyer happens upon new information which brings into question the motives of a man associated with her client

Delfina is a beautiful woman of 45 years who enjoys a good economic spend and shares her life with her faithful husband and her teenage daughter. Through an intimate friend, Delfina meets Kamil, a supposed high-ranking businessman.

The divergent lives of twin brothers, Raúl, a violent policeman, and Valentín, a mentally handicapped man, cross paths again when the former decides to visit his family.

Young married couple Rob and Laura move to the peaceful, friendly town of Breastford and right away are made to feel at home by the welcoming members of the Breastford Womens Association. They soon realize that something is amiss, and they discover the reason: Doc Brady, the town's mayor, has invented a device that, at the push of a button, turns women into insatiable, sex-crazed robots.

Natsu (Maria Wakatsuki), a female college student, had a physical relationship with the fairness of her circle friends, even though she had a boyfriend named Shugo. However, just because fairness is more compatible with the body than Shugo, there was no particular feeling of love. Natsu sometimes asks herself, "Why do you fall asleep with a man you don't like?" At that time, I used to talk to my friend Noa (Maina Yuuri). However, one day, an incident occurred in which Noa's ex-boyfriend Masaya committed suicide in front of her because she was angry with Noa. The TV title for this movie is "Female Student's Summer Experience"

Oar and Miho, who live in a seaside town, go back and forth between each other's houses, and their parents are childhood friends. Oar, who was in charge of managing the canning factory, decided to go to Tokyo to receive training that looked ahead to the future. On the last night before the departure, Oar and Miho are fiercely seeking each other. The next morning, they talked about the future while walking along the beach and made a promise such as calling once a day. However, Oar who is worried about unfamiliar sales work and human relationships. Miho also discovers her father's illness, is exhausted by her nursing and long-term care, and she can no longer keep the phone once a day. Eventually, Oar was forced to leave the office after witnessing his boss's infidelity and being dressed in his embezzlement. Oars who cannot speak honestly cannot return to their hometowns, and they pass each other and become estranged.

Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect.

In late XIX century, rich and bored Maria (Paola Senatore) is after a more sexually interesting life and gets involved with Alessio who shows her other kinds of love. She soon becomes his sex slave but some unexpected consequences will arise from her desperate search for sexual fulfillment.

Chris, a sexy teenager who appears mostly bare-breasted on the French Riviera, has a crush on Romain, her mother's lover. In reaction to her inability to attract his attention, she experiments with other risque affairs.

After a frantic suicide attempt, Veronika awakens inside a mysterious mental asylum. Under the supervision of an unorthodox psychiatrist who specializes in controversial treatment, Veronika learns that she has only weeks to live.

Scripted by four of Australia’s greatest authors (David Williamson, Thomas Keneally, Hal Porter and Craig McGregor), this quartet of carnal desires explores adultery and jealous fantasies, the end of innocence, the moral and spiritual conflicts of a priest and a nun in love. The stories define the exploration of women and the cultural upheaval of the early 70s.

Young Jeremiah lives in a stable environment with loving foster parents until the day his troubled mother, Sarah, returns to claim him. Jeremiah becomes swept up in his mother's dangerous world of drugs, seedy hotels, strip joints and revolving lovers. Salvation comes in the form of the boy's ultrareligious grandparents, but soon Jeremiah's mother returns. Maternal love binds the pair together on the road until Sarah's desperate and depraved lifestyle finally consumes her.