Art of Freedom

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.

An international team of climbers ascends Mt. Everest in the spring of 1996. The film depicts their lengthy preparations for the climb, their trek to the summit, and their successful return to Base Camp. It also shows many of the challenges the group faced, including avalanches, lack of oxygen, treacherous ice walls, and a deadly blizzard.

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

The mountain reveals honesty to oneself like nothing else. Dopamine, inner peace, or simply being unreachable are all understandable reasons why someone seeks the summit. With personal stories and individual connections to the mountains, "Sariri" brings together five protagonists from Switzerland, Austria, Bolivia, and Peru. Descending steep walls on skis in the Andes at over 6,000 meters pushes the group to their limits. With a first descent of the 6074-meter high "Chachacomani" in Bolivia, the mountaineers consciously take certain risks. The invisible power of altitude presents a significant obstacle to overcome. The film explores the question of why mountains play such an important role in some lives and why these cloud-catchers made of stone, snow, and ice are the closest place to heaven. The willingness to undertake long journeys and the mountain itself are what shapes "Sariri."

In July 2024, Liv Sansoz and Bertrand Roche (aka Zébulon) made history in Himalayan mountaineering by climbing K2 (8,611m) without supplemental oxygen, then paragliding from the summit. The couple achieved a highly coveted first, and for Zébulon, the feat was all the more impressive as he had already completed the first tandem paragliding flight from Everest in 2001. More than just a climb, this film is a love story where Liv and Zeb share their doubts, emotions, and determination, carrying a shared dream where every step is taken together, united to the very end.

The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.

Behind the scenes of the filming of a film on climbing a cliff by Patrick Berhault and Georges Unia on the parishes of the route "La Tête de Chien" in Monaco. Director Laurent Chevallier explains the difficulties of filming at height, the kind of shots that are suitable and the specifications of equipment suitable for filming on a cliff.

In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.

Mountain climbers achieve fame, despite the many deadly accidents. The image is partly created by the climbers themselves. But because of the difficult circumstances at these great heights, it is practically impossible to find out if all these incredible stories are actually true. In April 2014, Dutch climbers start an expedition the sixth highest mountain in the world. Investigative journalist Geertjan Lassche closely follows the group. How ruthless do you need to be? And are these mountain climbers really as arrogant as they seem to be? The closer the group gets to the top, the more we learn about all kinds of universal dilemmas. And then, even the mountain itself turns against the climbers.

An adventure of extreme skiing in the Mont Blanc area