Ich liebe dich - April! April!

Mauritius Halbermann, nicknamed "Mauts", works as an advertising manager for Gravo-Druck, a state-owned print company. Mauts, a man obsessed with his work, incessantly percolates with marvelous ideas - and now that he has once again come up with another brilliant idea, he naturally wants to present his proposal to his boss. As it happens, his supervisor along with his entire family and some of Mauts's colleagues - including Lore who Mauts secretly fancies - have gone on a holiday trip.

Ete and Ali are discharged from the army. Since Ete knows that his wife is having an affair, he doesn't want to go home. Ali tries to persuade his friend to stand up for himself and to kick the other man out. But since Ete obviously lacks courage, Ali himself goes into action and gets rid of the rival lover. At first, Mary and Ete seem to reconcile, but repairing their marriage won't work.

The crew of a small Saßnitz fisherman has problems with the "making a cultural socialist life". In order not to lose the competition prize again in the future, they want to show the organizer a collective weekend with all the trimmings. And they really do not mind ...

This film takes place during the Seven Years' War. The Prussian Major von Tellheim has become engaged to the Saxon noblewoman Minna von Barnhelm. After the war, the King - in an unwarranted move - deprives the major of his honor. Von Tellheim becomes impoverished and, filled with shame, breaks off his relationship to Minna. An innkeeper in Berlin, who is a police informer, makes the Major move to a shabby little attic because he cannot pay his debt. In the meantime, Minna has also arrived at the inn. She and her lady's maid Franziska are questioned and spied on by the nosy innkeeper. Minna has followed her beloved Tellheim and she now cunningly manages to elicit a new declaration of love from him...

Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.

Sister Agnes helps in all situations and does not only make friends. She has just fallen out with the new mayor. The consequences leave an entire community upside down.

Meier, a paperhanger in East Berlin, inherits from his father in West Berlin. With this money he wants to fulfil himself the dream of his life: a journey around the world. He buys a forged West German passport and pretends to go on a trip to Bulgaria while he really is off to see the free world. When he wants to return to East Berlin he finds himself in an unbelievable predicament and his double life begins. He can't keep away from his East German friends. As with all the best comedies, the action builds up to an eventual crisis. It's a light comedy, which won several national Film Academy Awards. The film is very political, with lots of political jokes/innuendos which only Germans will understand. One is left feeling what a total obscenity that stupid Wall was, dividing one people for 30 years (1-2 Generations) simply by the coincidence on where you just happen to be in the early morning on the 13th August 1961.

Photo reporters Rolf and Karin travel the country in search of the best motifs for a new travel calendar. When they happen to pass by the filming of "A Year Full of Music", the theme for the calendar is found. Over the course of the seasons, they take pictures of popular music artists such as Gilbert Bécaud, Thomas Lück and Etta Cameron in the most beautiful places in the country, from the Baltic Sea to Berlin and the Thuringian Forest.

The famous actor Ralf Horricht is a pain in his current director's butt while shooting a comedy about the army. So Horricht believes it a joke, when he receives an induction-order as reserve-officer... but the captain tries his best to make him realize this is no laughing matter.

A young, naive and enthusiastic theater director named Kai comes to a grim provincial town to put on Beckett's Waiting for Godot. Although the lethargic theater company shows no interest in the play, his spirit remains undaunted.Meanwhile, it is fall 1989. The world is changing and somewhere, far away in the capital, a revolution is taking place and it seems that wishes might come true. Great hopes emerge in the little town and unexpected events overtake Kai's mutating production.

A collection of commercials from 1960s DDR (GDR).

Wolf Brandin is in his mid-twenties and lives with his wife and child in East Berlin at the end of the 1950s. In West Berlin, the student of electrical engineering is recruited by the American secret service CIA. But Brandin immediately notifies the State Security of the German Democratic Republic and from then on lives a dangerous life as a double agent. When Brandin reaches the breaking point, his marriage starts to unravel because Brandin is not allowed to tell his family about his double life.

The school authorities want to read success stories in director Joachim Faber's reports. But they cannot simply be produced on an assembly line. Pupils, for example, use the wrong tone. The matter draws circles until the superiors finally talk about refusal to work. Director Faber is caught between the efforts to resolve the conflict with pedagogical means and the pressure from above.