Winter Love

The Bread Peddler is a 1923 French silent drama film directed by René Le Somptier and starring Suzanne Desprès, Gabriel Signoret and Geneviève Félix. It is based on Xavier de Montépin's novel of the same title.

A short film based on the short story "De Binocle" by Dutch writer Louis Couperus. It tells the story of a nervous man who on one evening while going to the opera becomes the victim of his own obsessive thoughts.

Tommy Wilhelm (Robin Williams) is a salesman. An honest, hard-working guy who has lost his job, his girlfriend, and left part of his sanity behind as he heads to New York to pick up the pieces of his life. He's always been able to sell, but caught in a downward spiral, he must, in addition, face the father who never really understood him, while trying to balance his newly precarious existence.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a young, wild, multifaceted artist that is looking to push the boundaries of society for the acceptance of her own work.

The premiere of Benjamin Britten's Billy Budd in Madrid is undoubtedly one of the highlights of the Teatro Real's bicentennial celebrations. Its magnificent libretto, based on the novel of the same name by Herman Melville, tells the story of the sailor Billy Budd: a handsome, loyal, generous, strong, naive, and kind young man whose beauty and personality drive the ship's master-at-arms mad. Unable to control the situation, the master crucifies the naive young man without mercy. This new production by the Teatro Real is being presented for the first time in Madrid, in co-production with the Opéra national de Paris, under the direction of Deborah Warner, one of the great names in stage direction today.

'...is unsuitable for any man's love.' (Xi Xi, A Woman Like Me) Sum-yin patches up wounds, masks scars and performs other beautician services that, when done well - as she always does - bring comfort to her and appreciation from grateful families. But inside she's hurting. Her job as a mortuary cosmetologist makes her self-conscious about the smell of death that seems to be seeping through and under her skin and looming over her stagnant relationship with Kwan, her oblivious boyfriend. No amount of cigarettes and perfume and cleaning will rid of it. At some point, a decision has to be made.

After ten years of marriage, a woman decides to tell her husband about her libertine past. A cascade of revelations follows, all as unexpected as they are funny.

Starring Jeremy Irons in a one-man drama, adapted from a Dostoevsky short story by Murray Watts. In his dream, the Man visits an unspoilt Garden of Eden.

After winning a thousand dollars in gold in a boxing match, Jack Mackenzie and his wolf-dog trek south on a journey in hunt of a suitable wife.

A rainy-night clash in a boarding-school dorm forces a swaggering teen to confront his insecurities and the price of rebellion.

In 1920s rural Mississippi, Nancy Mannigoe, an African-American servant, is placed on death row for the murder of Temple Drake's infant child. Temple, the daughter of the governor, pleads with her father to exonerate Nancy of the charges, explaining that Nancy acted in haste to prevent her from resuming her affair with a roguish Cajun called Candy Man. Details of Temple's sordid past are uncovered as she begs mercy for her faithful servant.

ALMAREIA is a dreamlike short film inspired by a chapter in Beneath the Waves of Freedom (Sob as Ondas da Liberdade). Set on a mysterious beach that calls to the souls of Solar City, it follows Ícaro Verne’s visceral journey of longing and escape.

This is one of the rare gems in early Chinese musical films that still exists today. Nancy Chan plays a naïve young woman who can sing and dance. Under the arrangement of her stepfather, she becomes a star and indulges in the glitz and glamour of the entertainment world before getting married to a wealthy heir in Nanyang. Yet her husband is cruel and unfaithful, leading her to divorce and return to her parents in Shanghai. She is set for a comeback to the stage. Her young daughter suffers from a serious illness. A remake of the Bu Wanchang’s silent film The Light of Maternal Instinct (1933), this film takes cues from Hollywood musicals, resulting in an elegant and lively fusion of camera movement and musical numbers. The film also reflects the harsh reality of China in the 1930s and the pathos of popular literature by combining morals, entertainment and social commentary to show that changes in the idea of femininity is a symbol of progress.