Martha

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

He built the mightiest army in history and selected its leaders. Eisenhower, MacArthur and Patton all obeyed his commands. George Marshall was the only soldier ever to receive the Nobel Peace Prize.

For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?

A fascinating compilation of scenes showing diversity and disparity in 1940s China. The ancient Forbidden City and Great Wall are followed by Shanghai’s metropolitan skyline; primitive farming methods are juxtaposed with mechanised factories; children in rags are contrasted with models wearing the latest fashions; Nationalist commanders and Communist leaders vie for support.

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.

A couple returns to Aghdam, the city they once fled 32 years ago due to the war. It's a story about memory held in people, and about the small, powerful ways the past resurfaces when you finally face it.

The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.

The sinking of the German fleet interned at Scapa-Flow (Orkney Islands), June 21, 1919. We know that one of the stipulations of the armistice signed with Germany on November 11, 1918 was that that power's surface warships were to be "immediately decommissioned and interned in neutral or Allied ports, and remain there under the supervision of the Allies and the United States, guard detachments only being maintained on board". In fact, all the ships designated by the Allies - 11 battleships, 5 battlecruisers, 7 light cruisers and 50 destroyers - had, a few days after the armistice, been assembled in Scapa-Flow Bay, in the center of the Orkney archipelago, i.e. north of Scotland, and had remained there ever since, under the supervision of the English naval authorities, but under the effective authority of German Admiral von Reuter.

This interactive infographic short documentary examines the human losses of the Second World War between 1939 and 1945 and the decline in battle deaths in the years since that most terrible war of human history. The 19-minute data visualization uses cinematic storytelling techniques to provide viewers with a fresh and dramatic perspective of a pivotal moment in history. The film follows a linear narration, but it allows viewers to pause during key moments to interact with the charts and dig deeper into the numbers.

This first-person documentary provides an inside look into the terrifying and bloody events that shook Central Europe in the 1990s, as the filmmaker takes a trip along the road that once united the disparate states of Yugoslavia, from Slovenia to Macedonia. A film about memory, hatred, love and hope.

Between February 4 and 11, 1945, three months before World War II ended in Europe, US President Roosevelt, British Prime Minister Churchill, and Soviet leader Stalin met in the Ukrainian city of Yalta to discuss how the continent should be politically reorganized after the imminent defeat of Nazi Germany.

The Truth That Wasn't There is an award-winning documentary about three student filmmakers who cross the front-lines in the wake of civil war in Sri Lanka. In doing so they became the first independent journalists to visit the final battlegrounds. This is the story of what they found.