Fragile

The human form with its endless variety of expression, has fascinated the great masters throughout the centuries. Now the glory of the classic nude comes alive in this incredible cinematic "art book." Nudes in Limbo, an Original Program from MCA Home Video, is a breathtaking study of the body beautiful as never seen before. Through a series of imaginatively designed scenes, the male and female forms take on exciting abstract dimensions. Uncluttered limbo and natural backgrounds permit close study of each angle, while a rich musical score adds a lyrical touch to images of the most spectacular men and women ever captured on camera. It's a unique sensual experience that offers countless hours of captivating, inspired viewing.

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

Chapter and Verse is an experimental documentary that traces the image legacy of Northern Ireland's recent troubles via its contemporary landscapes. The camera roves with fierce curiosity amongst the Orange Order Parades, the raging 11th Night Bonfires of Belfast, the wall paintings of Londonderry, empty border-lands, murder-sites, cemeteries, home interiors, town and city streets whilst exploring how the troubles are both revealed and concealed by the Northern Irish landscape. Interviews with a mix of Northern Irish politicians, religious figures and victims of the troubles, including Rev. Ian Paisley and Bishop Emeritus of 'Derry Edward Daly, combine in a cinematic study of the complex effects of Northern Ireland's conflict history suspended in language.

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

A meeting between two friends: the cinematographer Caroline Champetier shoots a documentary about cinematographer Bruno Nuytten, making a film about his gesture and the relation between film art and craftwork.

Can we reinvent our lost queer histories? #Familiar #Touch #Lost #Figures is about queer ancestry and diaspora, a hybrid of cultural traditions and contemporary queer identity. It explores feelings of guilt and joy, and intimacy between femmes of colour.

Playing with the recording of a water polo match, Galeta creates a kind of Copernicus twist in the structure and perception of this sports game. The ball still motivates the movements of players, but it is no more a dynamic element, but the fixed center of the image.

Inconsolable Memories is a black and white film installation consisting of two 16 mm film loops projected alternately onto one screen in a dark gallery space. Both films feature archival documentary material, including footage of the streets of Havana and black and white photographs of artists and intellectuals in Cuba, combined with scenes filmed by Canadian artist Stan Douglas on a set in Vancouver. One of the films consists of five sequential parts, while the other has only three parts. The five-part film is almost twice as long as the three-part film, so that although both loops start playing together, they quickly go out of sync with one other.

In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of "La sortie des ouvrier de l'usine Lumière" was projected. The stringing together of the individual developed sections make up the new film, which reads the original frame like a page from a musical score: within the strips from top to bottom and sequentially from left to right.

In this short, a camera pointed towards a window films the landscape as a train moves along the track.

The images from the landing of the first expedition of the spaceship Columbia are juxtaposed to a reflection on the function of the visual medium, and artistic creation as a whole.

A residential tower block in East London. The clicks and growls that are constantly being created by the building’s inner workings. Its vibrations, electric wiring, heathers, exhaust pipes, plumbing, etc, create a variety of sounds which permeate our living habitats.

Armin Linke’s Alpi is the result of seven years of research on contemporary perceptions of the landscape of the Alps, juxtaposing places and situations across all eight bordering nations. Alpi shows the Alps as a key location, owing to its delicacy and environmental importance, where one can observe and study the complexity of social, economic, and political relationships. Even if the imagery of Alps is still that of a world that is pre-modern, Alpi presents that unique landscape as a laboratory of modernity and its illusions.

In 1971 Thierry Zéno creates a fascinating portrait of artist Georges Moinet in the form of a 16 mm medium-length film. A schizophrenic who lives in a psychiatric hospital near Namur, Moinet paints. After being mute for 24 years he chooses this cinematic encounter to explain his artist approach, revealing what lies behind his personal cosmogony. But this long logorrhoea proves disturbing and fails to provide possible clues to understanding his work, gradually becoming a form of music that blends in with the sounds and distant, invisible hubbub of the hospital. With Alessandro Ussai behind the camera and Roger Cambier responsible for the sound, Zéno gets up close to Moinet to better capture him in all his demiurgical excessiveness, his existence on the fringes but also his humanity, deconstructing in a series of very tight shots the man and his canvasses.