White Homeland Commando

The video opens with a barrage of explosive imagery along with an audio track of a siren taken from the 1970s TV show Wonder Woman. The following scenes are fast paced repeated shots from Wonder Woman, with several scenes following of actress Lynda Carter as the main character Diana Prince, performing her transformative spin from secretarial role into superhero role. […] The representation of repeated transformations expose the illusion of fixed female identities in media and attempts to show the emergence of a new woman through use of technology. […] The video ends with a scene of repeating explosions that precedes a blue background with white text that scrolls upwards, delivering a transcription of lyrics to the song ‘Wonder Woman Disco'.

Strange things occur tonight whether the paranormal phenomenon is the invisible invasion of aliens from outer space or light flashes of another dimension? We will never know. Are we alone or may we encounter extraterrestrial species that are coming at night to conquer our dreams, our body and mind? What are you afraid of?

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

This experimental short film by Iain Delavan serves as an abstract, yet harrowing expression of his struggles with Post-traumatic stress disorder, due to his repeated childhood sexual abuse. Iain was diagnosed with PTSD in March of 2022, and this film boldly represents the continued battles that Iain must face every day, such as severe depression, self-harm, panic attacks, flashbacks, nightmares, suicidal ideations, and other painful symptoms.

An experimental and video art film in which an ox is butchered by a butcher.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

TEMPORALLY tells the story of an Italian thunderstorm through the eyes of a Japanese painter. The lightning itself fusions with its environment and creates a hypnotic point of view. The sound in the video was recorded on the occasion of the exceptionally high water alert in Venice, Italy. The alarm is composed of two parts. The first was the sirene in use under bombardments during WW2, whereas the second is designed by the University of Venice and should be heard during all the sleep phases, yet not causing any panic. The images themselves were shot during multiple thunderstorms in the mountains between Lake Lugano and Lake Como. So, an interplay of salt and sweet water. Furthermore, the title TEMPORALLY is a combination of the Italian word for storm "temporale", and the word for atmospheric weather "tempo" which in English means rhythm and rally, thus a race of lightning, in the end, following in a recovery.

A 57-minute long-form music video illustrating the subjects including magic, the nature of reality and chaos - and honouring the works of Robert Anton Wilson, Terrence McKenna, KLF and Alan Moore.

It’s often a sense of shakiness which emerges in seeking affordable rent. Furthermore, leasing a real estate in the time of Covid it’s an enough though enterprise due to the different restrictions in moving freely and without any fear even visiting the venue, still not to mention the angst before the future that a change in life like a relocation involves so that everything starts spinning around. Such a pretty much postmodern sensation should have had Hazel in the Synecdoche, New York by Charlie Kaufman when she rents a burning house, which becomes quite her home yet with this persisting sense of precarity still not precluding to keep going. The experience is now translocated in another city, Turin. It still remains a burning house in a burning city, however it becomes home to someone.

Vickie and Zhenya are identical twins in the process of transitioning. They live in the small city of Norilsk in the far north of Russia. Their entire life is condensed into the space of their small room. The film is constructed as a methodological manual for the creation and arrangement of a living space, and the placement of various objects there. The room of Vickie and Zhenya is examined as an ideal example of the intimate private space capable of authentically reflecting its hostess. The film is based on a video-letter that Vickie and Zhenya sent to their friend Valya. Vickie and Zhenya got to know Valya at the clinic where they underwent their sex reassignment. Since then, Valya has been their constant—though invisible—witness of their life. They report to Valya on all the changes they go through in the process of their transfiguration into Beautiful Ladies.

Deaf artist Seo Hye Lee gives new subtitles to a selection of archive films about pottery, ones which playfully examine the disparity between how people with different levels of hearing experience art.