Open Road After Harvest

Talking to two fishermen made me realize I have never looked at Hong Kong from their perspective. Urban Diary tries to look at Hong Kong and see our shoreline from the sea. We filmed the two fishermen in action, getting on their fishing boat, experiencing fishing and looking at the ongoing reclamation of the harbour with them.

In late 2009, over twenty Hong Kong civic groups united as the "Anti-High-Speed Rail, Stop Funding" coalition, aiming to halt Legislative Council approval of the HKD 66.9 billion Express Rail Link amid deep social rifts. The "Post-80s Anti-High-Speed Rail Youth" group drew thousands of young people with their slogan “Defend Our Homeland, Protest with Joy,” leading to three funding suspensions that surprised the public. Media coverage was intense and innovative, featuring rare camera angles and lively online debate among journalists. This documentary explores how reporters shaped the movement, their emotional involvement, and the dynamic relationship between the media and activists during Hong Kong’s pivotal 2009–10 protests.

When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.

Tom Jones, a shepherd who lived in one of the Ystradfechan Cottages at Old Farm, Treorchy, was employed by the Ocean Coal Company who owned the land above ground and coal (the Park and the Dare Collieries) beneath. A farrier who lived in the adjoining cottage tended to all the Park and Dare pit ponies. Tom Jones was known world-wide as the “Wonder Shepherd” for his remarkable skills as an animal trainer which, together with his concern for his flock, are recorded here.

After the anti-express rail protests, Choi Yuen Village’s struggle did not end with the railway project approval. Villagers shifted from fighting demolition to painstakingly relocating and rebuilding their community. In 2011, they planned the new village together—including house design, sewage, and land use—while facing government pressure to move out by November. Road access issues caused additional worries. As demolition began, villagers stood together to protect their homes and demanded time to build before moving. By May 2011, villagers left their longtime homes for makeshift housing on newly bought farmland, continuing their collective effort. Their unity in overcoming countless challenges set an example for other rural communities and shows that real resistance is a long journey requiring ongoing attention.

A look at man's relationship with Dirt. Dirt has given us food, shelter, fuel, medicine, ceramics, flowers, cosmetics and color --everything needed for our survival. For most of the last ten thousand years we humans understood our intimate bond with dirt and the rest of nature. We took care of the soils that took care of us. But, over time, we lost that connection. We turned dirt into something "dirty." In doing so, we transform the skin of the earth into a hellish and dangerous landscape for all life on earth. A millennial shift in consciousness about the environment offers a beacon of hope - and practical solutions.

Sahrawi artist and visual poet Mohamed Sleiman Labat follows the story of the emerging phenomenon of small scale family gardens in his local community in the Hamada Desert. The film features the story of four families in Samara Camp with small scale gardens, their practices and the knowledge they develop as part of their practices in the garden. The camps are located in a very harsh environment with extreme climate conditions, and the Sahrawi are still dependent on international food aid.

Taleb, who came to a refugee camp at the age of five in 1975 and returned there after his studies abroad, tells of his life as a displaced person, his gratitude for the reception and support in Algeria, and his hope that the Sahrawis may one day return to their homeland. For Taleb, this hope drives him to actively prepare for better times: as a graduate in agricultural sciences, he conceived a successful small-scale closed-loop economy in a desert under the most difficult conditions, producing enough food for self-sufficiency.

In this short documentary from the Canada Vignettes series, a Saskatchewan grain elevator is moved across the snow-covered prairie to a new home after nearly a half-century of use. The film follows the lifting and transporting of the 9-storey, 200-ton structure, and examines the feelings of the people as they witness the final passing of their town's one and only grain elevator.

The daily schedule is rational and step by step the farmer's tasks are carried out both in the household (ironing, making beds, raising children, making food) and in the yard (feeding animals, analyzing milk samples, making cheese, churning milk, work in the vegetable garden, collecting eggs). In the evening, she puts the children to bed and has some time left for some relaxing activities such as knitting or reading.

The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

Documentary about two boys and a girl who travel to surfing spots around the world.

After the failed Umbrella Revolution in 2014, lives go back to normal, but the scenes of the great protest are like yesterday for Billy and Popsy, students in the University of Hong Kong who took part in the movement. One of them now becomes a student leader, while the other chooses a low-profile life as a private tutor. Amid the rapid social changes, when the Communist Beijing government is extending their influence to Hong Kong to take away the freedom and democracy, how would the youths see their future? Do they still see hopes, when both peaceful protests and radical actions seem to be futile?

Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.