Captive State

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

It’s the year 2762. The galaxy is plagued with warring factions using hokey special effects to destroy each other. Out of this chaos a hero rises: the dashing, exquisitely bearded Captain Saber Raine (Casper Van Dien). Saber and his elite squad of commandos (other actors) embark on a dangerous quest to save the Prince and Princess of an unnamed planet from the clutches of the Evil Overlord Sinjin - an overlord so evil HIS VERY SKULL IS FILLED WITH CHERRY JELL-O. Can our heroes fend off Sinjin’s army of mutant androids and rescue the Prince and Princess? Probably! After all it’s Space Opera, but you never know! Join Mike, Kevin and Bill for an unforgettable Sword-And-Laser Swashbuckling-ly fun time, beamed to theaters nationwide!

When an atomic war on Mars destroys the planet's women, it's up to Martian Princess Marcuzan and her right-hand man Dr. Nadir to travel to earth and kidnap women for new breeding stock. Landing in Puerto Rico, they shoot down a NASA space capsule manned by an android. With his electronic brain damaged, the android terrorizes the island while the Martians raid beaches and pool parties

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

An investigator seeking the cause of an airline disaster discovers the involvement of an organisation of time travellers from a future Earth irreparably polluted who seek to rejuvenate the human race from those about to die in the past. Based on a novel by John Varley.

The engineer MacAllan designs a tunnel, which will join America and Europe together on the seabed. A group of American billionaires are financing the gigantic project, but the construction of the tunnel is proving to be as tedious as it is dangerous. MacAllan's worst enemy is the speculator Woolf, who had embezzled the money for the construction and who is attempting to cover up his crime by carrying out acts of sabotage. Also filmed in 1933 in a French-language version, LE TUNNEL, and remade in 1935 in England as TRANSATLATIC TUNNEL.

This is a shortened version of the 1945 Republic serial "The Purple Monster Strikes," which was released to television in 1966.

Carnivorous aliens arrive unannounced at a Kansas family farm; two intergalactic bounty hunters soon follow, determined to blow them off the planet.

A Texas cop, whose own daughter might have been forced into sexual slavery, joins forces with a Mexican youth to find the boy's sister, who was abducted and forced into prostitution. Meanwhile, a Polish woman who was promised a better life in America also becomes a victim.

Lorenzo works for an omnipresent corporation in a future of dystopian bureaucracy. His employee insurance denies him the medication that would help prevent him from losing his senses. Lorenzo quickly begins to lose contact with the world and in esperation decides to connect to the computer, making his pain cease, but becoming an eternal digital slave.

In a dystopian world, a masked figure commutes to work. For him, everything is normal, but things truly aren't.

The second installment of Australian maverick filmmaker Richard Wolstencroft's adaptation of the poem by W.B. Yeats continues to delve into the underbelly of occultism, physics, and political paranoia, as it travels over multiple continents, and across the lives of an eclectic group of characters, none of whom will remain unscathed from the impending apocalypse... and some of whom work to hasten the arrival of the chaos...