Shackled

Edward G. Robinson talks to the audience about the history of gangster films and introduces his latest vehicle.

With the spectre of COVID-19 looming, the old ways of waking and burying the dead are fractured and desolate in this curious tale of two bachelor brothers, Pádraig and Éamonn, from Achill Island, living and dying under the shadow of the Coronavirus.

Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.

Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.

In a new, predatory ice age, two brothers search for a place to call home.

In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

Shila met Carlo one night, on a bus. Shila is a collector. She collects stories of scars. Shila is always longing for the existence of a wound. This is a trip Carlo can never forget.

A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

One of three friends who work in an advertising agency has a nervous breakdown. Upon her recovery, she embarks upon an affair with her former employer's husband, with deadly consequences.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.