Notre Dame de Paris - Live Arena di Verona

On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, meets Midori, a gangly Japanese tourist, and invites her to stay with her.

A collection of performances from the BBC's archives from Sting's solo career and from the Police, including Roxanne, Fragile, Message in a Bottle, Brand New Day and Every Breath You Take.

A young social climber wins the heart of a beautiful heiress but his former girlfriend's pregnancy stands in the way of his ambition.

An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.

Two co-workers in a music shop dislike one another during business hours but unwittingly carry on an anonymous romance through the mail.

Tokunaga is an unpopular comedian. He meets a senior comedian, Kamiya, who holds a strong faith in comedy. They struggle to move forward as comedians.

At the mouth of the Rhone, Jacques Renaud and his fiancee Lisette are cursed by a gypsy woman as punishment for their wrong decision.

After failing his university entrance exam, Yuki Hirano sets his eyes on the role of a forestry trainee. Setting off for training he doubts his decision many times, but eventually after passing the training course, he is sent to Kamusari Village for a year of work experience - where he becomes assimilated with the beauty of nature and the warm-hearted people of the village.

It is certainly no coincidence that Lady Chatterley's Lover was written after World War I, in 1928. What else but the incredible, hitherto unimaginable ravages of war could once again raise fundamental questions about human existence? Who are we, what are our true values and goals, what are our hopes? Lawrence answers with a love story of a socially unequal couple, harsh, wild, unabashed. He provokes with a passionate clash of liberating feelings and surviving conventions, with free expression contained in the text itself, its style and vocabulary.

The revolutionary year of 1848 brought great hopes among the hitherto silent classes, awakening social and national hopes. The response also penetrated the remote countryside, even as far as the Podkrkonoše Mountains. The young shoemaker there began to take an interest in social and political events, and he also experienced disappointment in later developments.

Writer and Adderall enthusiast Stephen Elliott reaches a low point when his estranged father resurfaces, claiming that Stephen has fabricated much of the dark childhood that that fuels his writing. Adrift in the precarious gray area of memory, Stephen is led by three sources of inspiration: a new romance, the best friend who shares his history, and a murder trial that reminds him more than a little of his own story. Based on the memoir of the same name.

A young singer turns his back on God and his father's church when tragedy strikes. He returns years later to find the once powerful congregation in disarray. With his childhood nemesis creating a "new vision" for the church, he is forced to deal with family turmoil, career suicide, and relationship issues that send him on a collision course with redemption or destruction

In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.

Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.