Tamara Drewe

Ruthless Chicago newspaper editor Walter Burns resorts to dubious motives in order to get top reporter Hildy Johnson to cover one more big crime story before retirement.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Across the country, an engaged woman becomes convinced that they belong together, despite their never having met. Will their paths collide despite the odds?

A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.

After the defeat of their old arch nemesis, The Shredder, the Turtles have grown apart as a family. Struggling to keep them together, their rat sensei, Splinter, becomes worried when strange things begin to brew in New York City.

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

When a young writer is falsely accused of murdering a famous actress, he escapes custody and joins forces with the daughter of a police constable to prove his innocence.

An American man returns to the village of his birth in Ireland, where he finds love and conflict.

Walter Burns is an irresistibly conniving newspaper publisher desperate to woo back his paper’s star reporter, who also happens to be his estranged wife. She’s threatening to quit and settle down with a new beau, but, as Walter knows, she has a weakness: she can’t resist a juicy scoop.

A playboy who refuses to give up his hedonistic lifestyle to settle down and marry his true love seeks help from a demented psychoanalyst who is having romantic problems of his own.

The Dashwood sisters, sensible Elinor and passionate Marianne, learn that their prospects of marriage seem doomed by their family's sudden loss of fortune. After Henry Dashwood dies unexpectedly, his estate must pass on by law to his son. These circumstances leave Mr. Dashwood's wife and daughters without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

Matias meets Violeta, his cousin one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

Former London constable Nicholas Angel finds it difficult to adapt to his new assignment in the sleepy British village of Sandford. Not only does he miss the excitement of the big city, but he also has a well-meaning oaf for a partner. However, when a series of grisly accidents rocks Sandford, Angel smells something rotten in the idyllic village.

Thanks to his actions during a farm fire, the young and naive Dreas is appointed to the local fire department, which awakens various ambitions in him. He constructs primitive watchtowers everywhere and achieves some successes, partly due to the activities of an arsonist. He is then allowed to attend a course at the fire academy in Maastricht. Back in his village, he fails during a fire at the local bakery, where everything goes wrong. Dismissed from his position, he finds new employment as a market vendor with a fire extinguisher he invented.

The Dance is a 1962 French comedy film directed by Norbert Carbonnaux and starring Jean-Pierre Cassel, Françoise Dorléac and Arletty. The film is based on the French comic strip 13 rue de l'Espoir.