The Way I Like It

In this documentary film a team of researchers examine the social contexts that influenced the emergence and permanence of heavy metal music in Chile, Argentina, Mexico and Peru. Colonialism, dictatorships, terrorism and neoliberal exploitation serve as points of reference for how heavy metal in the region has been directly linked to each country's social and political context.

La Revuelta accounts for the tension experienced by those who, as of October 2019, came out to express their social discontent. The work has as its main stage, renamed by the people, as "Plaza de la Dignidad". It is a choral story, woven with the reflections of the protesters under the protection of the contextualization of a story in off that is unraveling the causes and effects of the outbreak. Thus, more than three years after the social demonstration, La Revuelta, is presented as a critical and contestative reflection, around the popular protest maintained by a people that took 30 years to awaken.

Chileans are asked about their definition of the word (and the concept of) "power", as they answer images flash on the screen of powerful and powerless figures in Chilean history.

A stop-motion documentary that describes the artificial mummification (black and red mummies) of the Chinchorro culture, a pre-hispanic society of fishermen and hunter-gatherers who practiced funeral rites with sophisticated techniques for body preservation 7,000 years ago, originating on the Camarones coast of Chile.

The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

Documentary film interviews leading Latinos on race, identity, and achievement.

In 1879, Bolivia lost its access to the sea in a war. When I was a child I did not understand how we had lost it; he thought the Chileans had taken him away in buckets. It is a diary towards interior landscapes, myths, characters and contradictions in a country that relives this loss every day.

Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.

An examination of the great advances in cinematography achieved by Jack Cardiff.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

As the dissociated convenience of the Internet and globalized corporate culture continue to shut down brick-and-mortar video stores, what will happen to the longstanding, local hangouts with their rugged individuals known as clerks and the communities who love them? Videosyncracy follows three very different video rental stores as they negotiate their survival in three distinct Los Angeles neighborhoods: Old Bank DVD in the Downtown arts district, Vidiots in sunny seaside Santa Monica, and Eddie Brandt’s Saturday Matinee in bustling North Hollywood. Their stories chronicle not only the birth and twilight of a particular kind of corner store, but also decades of personal lives intertwined with those of their communities, the new challenges and facilities of a rapidly changing world, and an enduring love of the movies, a slice of Americana on the brink of disappearance yet defiant to the end.

When a small Utah-based edited movie company is caught sanitizing Hollywood's copyrighted material, the film industry strikes back with a devastating blow.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.