Mother Virgin No More

Ricardo is a teenager searching for a way out of a ruthless reality that traps him and everyone around him, preventing them from reaching for the stars.

The film takes a deeper look at the social status of people who are forcefully converted to a different religious belief, and how they are looked down upon.

Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.

The life of a successful radiologist spirals out of control when she sees the spitting image of herself driving down a London street. While attempting to uncover who the imposter could be, she stumbles into a terrifying mystery that her family and closest friends are somehow involved in, leaving her with no one to trust.

Middle-aged romance author Leo writes under a pseudonym, since she despises her own work. At home, her husband, who works overseas, is distant both physically and emotionally. As she reevaluates her life and writing, Leo is led to an unexpected relationship with Ángel, a sensitive newspaper editor.

Stud's world revolves entirely around sex, sex, and more sex — an interest he shares with his way-out friends and his girl Kitty, who likes her men mean and muscular!

Shot in 16mm, Berenice is Rohmer’s first finished film. The film is based on a story by Edgar Allen Poe about a man who becomes obsessed with his fiancé’s teeth. The film was shot at Andre Bazin’s house by Jacques Rivette. Rivette also edited the film.

When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.

"Nomeolvides" ("Forget-me-nots") by Miguel Berzal de Miguel is a short film awarded, nominated or part of International Film Festivals like HollyShorts Film Festival, Palm Springs International Film Festival or Dumbo Film Festival. Music by Javier Berzal de Miguel. Cast: Silvia Espigado, Elena Caricol, Lola Casamayor, Antonio Canal, María Esteve, Miguel Herrán, Mayte Atarés, Nerea Rojo, Chema Moro, Juan Carlos Gandía and David Llorente.

Objectively, Odette Toulemonde has nothing to be happy about, but is. Balthazar Balsan has everything to be happy about, but isn’t. Odette, awkwardly forty, with a delightful hairdresser son and a daughter bogged down in adolescence, spends her days behind the cosmetic’s counter in a department store and her nights sewing feathers on costumes for Parisian variety shows. She dreams of thanking Balthazar Balsan, her favorite author, to whom – she believes – she owes her optimism. The rich and charming Parisian writer then turns up in her life in an unexpected way.

Safia, a 25 year old policewoman, fulfills her dream and joins the prestigious 36 quai des Orfèvres (the headquarters of the criminal investigations department of the Parisian police) after 5 years of service in Clichy-sous-bois. On her very first day, totally out of the blue, she comes across a dangerous gangster who defies her ruthlessly.

Meet Ben - he holds a sign for a living, and he loves his job more than almost anything. But today is his last day.

Teacher Anne and policeman Georg are thought of as the perfect couple. However, appearances are deceptive: one of them is covered with scars and bruises. But which one is the abuser?

A Belfast woman becomes increasingly isolated after her all-consuming eco-anxiety leads to altercations with both the local community and her unsympathetic family.

Hannah returns home to face her dysfunctional and emotionally-repressed family after her attempted suicide. Her journey towards healing intertwines with the humorous clashes and unique bonds within the family.