Alone Man Show

Ten bottles of wine serve as the common thread in this fourth show by François-Xavier Demaison, which combines personal anecdotes and colorful characters. The year or origin of these vintages serve only as a pretext for a journey through time and space, from 1973 to the present day, from Catalonia to New York. The actor's memories mingle with those of the audience, and the tasting becomes a reflection on a strange era.

After accidentally killing a bearded goat with their father’s pick-up truck, two incompatible siblings in their teenage years, embark on a journey of reconciliation.

Groucho Marx tribute show by Jan Sigurd.

French comic Gad Elmaleh regales a Montreal crowd with tales of awkward mix-ups and baffling customs he's encountered since moving to the U.S.

The top-secret project, which Kazma and his team have been working on for over 4 years, enters cinemas for the first time ever as ONEMANSHOW in feature-length format.

Dieudonné looks back on his 10-year solo career... In an original staging, he reviews all the hilarious characters that have made him the most prolific comedian of his generation.

In their first collaboration Melkonian and cinematographer Mikhail Vartanov film two neighbour families that both claim ownership of a huge mulberry tree growing in the middle of their two houses.

Man arrives in America to see his son.

L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.

La Vie normale est un spectacle de Gad Elmaleh sorti en 2001 où sont dépeints les caractères de plusieurs personnages et où il joue son propre rôle.

"Décalages" is Gad Elmaleh's first show, where he humorously tells the story of his arrival in France and his cultural shocks. Blending stand-up and characters, he addresses themes of integration and the beginnings of his career.

George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

The "at peace" Dieudonné no longer opposes the system: he absorbs and transcends it. After sating spirits with laughter through unworthy and immoral characters, the artist becomes a gangster of beauty and a slave to grace.