13 Years, 13 Minutes

János Baksa-Soós, aka Prince January. A man who influenced those who influenced us. “Sometimes you have to make time for a whole life!” he said. He did, and we explored his incredible life. Starting from Zoltán Kodály, we fly over downtown KEX concerts, dive into the deepest recesses of Berlin punk and end up who knows where. Somewhere in the cosmos.

A film about how people lived and worked in the Swedish town Ulricehamn in the late 1950s.

The nostalgic retrospective of the time from a very candid perspective, over five chapters.

Progress in South Australia manifests itself around the Flinders Range country in the industries of Whyalla, Port Pirie, Port Augusta, Leigh Creek and Aroona Dam. Wildflowers cover the countryside.

A panorama of scenic beauty unfolds as the newspaper delivery man works his run along Sydney's northern beaches of Newport and the Palm Beach area.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

In the summer of 2004, a group of filmmakers embarked on a project in Budapest, capturing the city's essence with several dozen rolls of Kodachrome 40 Super 8mm film. Although they utilized only a small portion of the footage at the time, the material remained untouched for nearly two decades. In 2024, they rediscovered this treasure, breathing new life into it by adding sound and music. They returned to the same urban locations, now equipped with digital technology, to create a fresh narrative that intertwines the past with the present.

A film about a district in Buda, which to this day cannot face the inconceivably cruel crimes committed by its former inhabitants.

An atypical portrait of singer, songwriter, poet Georges Brassens.

“Marilyn vs. Marilyn” tells the story of a little-known period of Marilyn’s life – the years she spent in New York, trying to became a ‘serious”’ actress, taking lessons with Lee Strasberg and setting up a production company with her photographer and trusted friend, Milton Green. Based on hitherto unpublished – and magical - photos from the Greene archives, the film focuses on the photographic image of a woman who remains one of the greatest legends in the history of cinema… and an enduring enigma.

Martin Scorsese is among those paying tribute to Gene Tierney, the Academy Award-nominated American actress who was a leading lady in Hollywood throughout the 1940s and '50s.

Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.

Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.

In 2020 the Hungarian government announced the change of ownership at nine state universities in order to make them maintained by foundations. The so-called “restructuring” comprised the imposition of a board of trustees over the universities, the members of which being loyal supporters of the government holding stable positions in its economic halo. Only one of the nine institutions protested against the forced political takeover of the University of Theatre and Film Arts (SZFE). Our film presents one of the stories of the university blockade.

A 1956 Belgian film, Low Light and Blue Smoke, showcases the music of American blues guitarist Big Bill Broonzy, capturing his performance at the Chapel of Les Brigittines in Brussels during his 1956 European tour.