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After the tragic deaths of her husband and daughter, Sarah Doyle moves back to her childhood home with her estranged brother, Richard. It's not long before Sarah begins to experience supernatural phenomena of a violent and hostile nature.

A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?

A thirty-something southern woman searches for love, despite the burdens she carries with her.

After losing the woman of his dreams, Anderson is convinced he'll never fall in love again. But at the urging of his best friend, he spontaneously proposes to a dissatisfied waitress named Katie and an innocent dare evolves into the kind of love that both have been looking for all along.

Antoine Sforza, a thirty-year-old young man, left his village ten years before in order to start a new life in the big city, but now that his father, a traveling grocer, is in hospital after a stroke, he more or less reluctantly accepts to come back to replace him in his daily rounds.

Would you fall in love with a person whose voice you haven't heard for months, whose face you haven't touched, you can't smell, you don't even have the chance to pass by the same street, you can't even be in the same photo, who is miles away from you, even by seas, islands and cities?

America! Built on a better pill. Karly Hert has spent the last ten years selling drugs. Legally, that is. Karly is a pharmaceutical sales representative. She sells pills to doctors. She makes lots of money. She has a company car. She has a nice fat expense account. But there's a growing pit in Karly's stomach. Something isn't right behind the scenes at big pharma. Based on the director's decade working directly for the industry.

In this sequel to "Freshman Year (2019)", CJ and Marcella struggle to protect their relationship against the rising tide of pressure from family, faith, and friends when a devastating discovery upends their lives.

A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

Ben, a frustrated writer, has decided to end his life. But when his suicide attempt is unknowingly interrupted by his neighbor, his life is thrown in disarray following a series of misadventures that will bring his world truly upside-down, giving him the reality check he needed.

One summer evening, three childhood friends invoke the spirit of Kandisha, a vengeful creature from a Moroccan legend. The game quickly turns into a nightmare when their loved ones begin to disappear.

A nine year old boy named Joey, who after the tragic death of his father, begins to experience psychic powers such as allowing him to move inanimate objects with his mind, set things on fire, and even communicate with his dead father. However, not everything is good for Joey as his newly gained powers accidentally awake an evil supernatural force that is contained inside the body of an old ventriloquist's dummy that Joey found in an abandoned house. The supernatural Dummy shows similar powers to Joey's, and soon he puts the lives of everyone near Joey in danger as the evil Dummy has dark plans for Joey's special powers.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.