Hair Piece: A Film for Nappy Headed People

The Chipmunks work in an amusement park attraction. After Alvin drives a crazy tour group, they miss their next performance and are locked in the park after closing time. Little do they know that the real Dr. Frankenstein has been hired in a new attraction called, "Frankenstein's Castle"; figuring that the castle isn't scary enough, the mad scientist recreates the real Monster.

The tragic tale of two unlucky amphibians and a series of escalating blunders that ends their flirting for good.

Children are mysteriously falling ill at an orphanage. Candy Boy, the most valiant of the orphans, investigates, but the arrival of a new boarder complicates his inquiries.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Neil Hamburger is a two-bit stand-up with a bad comb-over--an aging, phlegmy jokester with a penchant for cheap celebrity jabs. He's also the brilliantly odd creation of Gregg Turkington, a decidedly more gifted comedian who has found a loyal cult following for his Tony Clifton-esque character. In this concert release, Hamburger performs a handful of twangy country tunes alongside the Too-Good-For-Neil-Hamburger Band, a name that speaks the truth: the back-up group includes veteran rockers Prairie Prince, David Gleason, and Atom Ellis.

Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)

Tan Pin Pin employs a strictly external perspective for this portrait of her hometown, the tropical economic powerhouse of Singapore, interviewing political exiles in London, Thailand and Malaysia, who are to this day unable to return home.

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

For decades, American touring ice shows dominated family entertainment with their dazzling production and variety acts. This documentary honors them through interviews and archival footage, and depicts one skater's quest to keep this history alive.

A group of aliens searching for a new planet on which to make home, with little success. Promotional short for Dreamworks Animation's forthcoming feature, Home.

As Pacworlders excitedly decorate for Berry Day, Pac is saddened about missing his parents as he receives a picture ornament of them from his Aunt Spheria. The teens reminisce of their childhood Berry Day as they enjoy Christmas eggnog. Since Berry Day is one of the happiest days of the year, Betrayus launches a plan to get rid of the day by capturing Santa Pac and his Round Deer and to possess the gifts and Berry Day decorations. All Pac wants for Berry Day is to see his parents Sunny and Zac and is overjoyed when they arrive. But, his parents tell him they want to see the tree of life in the secret location which is forbidden. Are these Pac’s real parents or are they a trick from Betrayus and Dr. Slimestein? Let’s hope Berry Day can be merry after all.

Myosis is the constriction of the iris which decreases the diameter of the pupil. It is an unconscious phenomenon which can be triggered by an intense light, fear, or the effect of epiphany.

The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.