Grateful Dawg

The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.

Set 1: Good Times(Sam Cooke cover) (Cover of Grateful Dead's… more ) Hell in a Bucket(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) Jack Straw(Grateful Dead cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) (>) Cassidy(Bob Weir song) They Love Each Other(Jerry Garcia cover) (1973 version) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Set 2: Deal(Jerry Garcia cover) (>) Playing in the Band(Bob Weir song) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'Unusual Occurrences in… more ) Uncle John's Band(Grateful Dead cover) (> 'Playing in the Band'… more ) Morning Dew(Bonnie Dobson cover) Encore: Ripple(Grateful Dead cover)

Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) (>) Loser(Jerry Garcia cover) High Time(Grateful Dead cover) (Oteil vocals) Samson and Delilah([traditional] cover) Althea(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) (>) Bird Song(Jerry Garcia cover) Set 2: Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Estimated Prophet(Grateful Dead cover) (>) Eyes of the World(Grateful Dead cover) (>) Drums(Grateful Dead cover) (with Oteil on banjo bass and… more ) Space(Grateful Dead cover) (>) Days Between(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) Encore: Truckin'(Grateful Dead cover) (>) Brokedown Palace(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) (Reprise from 7/14)

Set 1: Not Fade Away(The Crickets cover) (>) Shakedown Street(Grateful Dead cover) Cold Rain and Snow(Obray Ramsey cover) Ramble On Rose(Grateful Dead cover) Brown-Eyed Women(Grateful Dead cover) New Speedway Boogie(Grateful Dead cover) Wharf Rat(Grateful Dead cover) Don't Ease Me In(Henry Thomas cover) Set 2: China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) He's Gone(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Fire on the Mountain(Grateful Dead cover) (>) Drums(Grateful Dead cover) (with a tease of the theme… more ) Space(Grateful Dead cover) (> “Dark Star on the Big… more ) Standing on the Moon(Grateful Dead cover) (>) Casey Jones(Grateful Dead cover) U.S. Blues(Grateful Dead cover) Knockin' on Heaven's Door(Bob Dylan cover)

Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.

An in-depth look at the life and career of veteran illustrator and bluegrass musician John Holder.

Set 1: Samson and Delilah([traditional] cover) Cold Rain and Snow(Obray Ramsey cover) Jack Straw(Grateful Dead cover) Althea(Grateful Dead cover) Comes a Time(Jerry Garcia cover) Mr. Charlie(Grateful Dead cover) He's Gone(Grateful Dead cover) Going Down the Road Feeling Bad([traditional] cover) Set 2: They Love Each Other(Jerry Garcia cover) Playing in the Band(Bob Weir song) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) Fire on the Mountain(Grateful Dead cover) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'Playing in the Band' reprise) The Other One(Grateful Dead cover) (verse 2) Standing on the Moon(Grateful Dead cover) Not Fade Away(The Crickets cover) Encore: The Weight(The Band cover) Ripple(Grateful Dead cover)

Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.

Filmed and Recorded Live at Ryman Auditorium, Nashville, Tennessee, on September 14, 2015, Nitty Gritty Dirt Band and Friends - Circlin' Back: Celebrating 50 Years captures a group of longtime road warriors who've yet to lose their grit, joined onstage by John Prine, Sam Bush, Vince Gill, Jerry Jeff Walker, Alison Krauss, Rodney Crowell, Byron House, and Jerry Douglas. Rock and Roll Hall of Famer (and early Dirt Band member) Jackson Browne joined in, along with longtime member Jimmy Ibbotson, while a sold-out crowd sings along in the background. From country classics to deep cuts, the tracklist finds bandmates Jeff Hanna (guitars/vocals), Jimmie Fadden (drums/harmonica/vocals), Bob Carpenter (keyboards/accordion/vocals) and John McEuen (banjo/fiddle/guitar/mandolin) swapping harmonies, trading solos, and shining new light on a catalog of vital, vibrant music.

You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.

Fifty years later, and he's still rattlin' the Devil's cage. Charlie Louvin can walk through a crowded mall and not attract attention. But it shouldn't be that way; the humble 83-year-old musician in the cowboy hat and jeans is a true American hero. To start, 50 years ago he and his brother recorded "Satan is Real," an album that shook up the music business. And the life he lived thereafter was pretty radical, too, from his military service to his country to his 61-year marriage to his induction into the Country Music Hall of Fame and Grand Ole Opry. On Friday, December 3, 2010 at the fooBAR in Nashville, we caught Charlie Louvin on stage, making music for his fans, celebrating the anniversary of that famous album. And we filmed the night for history's sake. This is the tribute he so richly deserves.

This passionate and affecting performance documentary celebrates the virtuoso artistry and joyous community of contemporary bluegrass music. Musically depicting many of the traditional roots and some of the more far-reaching branches of the genre by employing verite footage, thoughtful interviews, and vividly captured extended performances to weave a seamless tapestry that transports and enraptures the devoted fan and newcomer alike.

An intimate portrait of the acclaimed North Carolina band The Avett Brothers, charting their decade-and-a- half rise, while chronicling their present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.”

In a small Southern town, a plantation owner is duped into thinking a thief is a kind stranger. To repay the stranger for stopping a robbery, the plantation owner invites him to his home to meet his daughter.

Examine the history of bluegrass music, from its origins to its eventual worldwide popularity, and hear from dozens of musicians who explain the ways bluegrass music transcends generational, cultural and geographic boundaries.