Every Face Has a Name

This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film

A documentary about Antti Jalava, a Swedish-Finnish writer who was among the first to write about the immigrant experience in Sweden.

As a 10-year-old “Mengele Twin,” Eva Kor suffered some of the worst of the Holocaust. At 50, she launched the biggest manhunt in history. Now in her 80s, she circles the globe to promote the lesson her journey has taught: Healing through forgiveness.

George Stevens's remarkable film is acclaimed by historians as the most important colour footage taken during the war. Milestones covered include the liberation of Paris, the link-up between the Russian and American armies on the River Elbe and the Allied capture of the Dachau concentration camp.

Caroline Sturdy Colls, a world leader in the forensic investigation of Nazi crime scenes, is chasing clues to an unsolved case: a concentration camp that existed on the British island of Alderney. Witnesses and survivors claimed that thousands died there, but only 389 bodies have ever been found. Under heavy restrictions imposed by the local government, which may not want its buried secrets revealed, Colls must uncover the truth using revolutionary techniques and technologies.

An often humorous documentary about the building of the Öresund bridge, connecting Copenhagen in Denmark to Malmö in Sweden. We meet the people who work on production of the bridge, as well as opponents to the idea of such a bridge.

The documentary tells the stories of people who were just children during the Second World War and the Nazi occupation of Ukraine. Its protagonists now live in Kyiv, Dnipro, and Odesa, where the filming took place. They survived the ghetto and also witnessed mass shootings that took place, according to researchers, in about five thousand locations across Ukraine. Each of the heroes lost loved ones. Parents, brothers, sisters, loved ones. Everyone had a single task during these terrible years - to survive. The entire mosaic of terrible memories collected in the film is part of a story of survival.

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

For the 75th anniversary of the liberation of Auschwitz, CNN’s Wolf Blitzer looks back through the eyes of those who were imprisoned there.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.

This film provides contrasts and similarities among the three countries. In Norway, Deneen visits with a fishing family from the small city of Alesund, in Denmark, with a farm family, and in Sweden, with the family of a glassworker. The countries are contrasted in terms of natural resources and reliance on trade.

Exploring the mechanisms of the Nazi seizure of power and focusing on forgotten sites in Saxony and Thuringia, the film investigates early "wild" concentration camps established after 1933 for the suppression of political opponents.

The indelible testimonial of David Shentow, Canadian WWII immigrant and Holocaust survivor lies at the heart of a remarkable journey that begins in 1942 on Le Chemin des Juifs, a forgotten road in Northern France. David's eloquence and vivid recounting of events will indelibly mark the heart and conscience of every viewer.

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.