VII. Thou You Shalt Not Steal

Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.

Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.

"Society is a carnivorous flower" - About activists in the student revolt in May 1968. Archive footage shows police entering the Sorbonne, street fighting, meetings and demonstrations. Many interviewees testify to police violence and abuses.

A short making of feature about the 1966 John Frankenheimer movie Grande Prix

A short documentary on the making of the Cartoon Network's Clone Wars micro series, specifically the final 5 episodes.

A traveling trader provides a window into rural life in the Republic of Georgia, where potatoes are currency and ambition is crushed by poverty.

This RKO Pathé Screenliner show members of the 'snow patrol' at work in the Cascade Mountains of Washington state. At designated places, they measure snowfall and take core samples of the snow and measure its weight and density. They also measure river currents in relation to the snowfall. The data is used by the U.S. Geological Survey to help determine how the water runoff in the spring will translate into supplies of fresh water.

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

MORENA tells the uplifting story of the Philippine National Surf Athlete Ikit Agudo, who overcame the pressure to blend into a society obsessed with skin whitening. Within the ocean, she found happiness, strength, and pride in her roots. Inspiring young girls around the world to embrace who they truly are. In the Philippines, skin-whitening remains a billion-peso industry, a legacy of colonial beauty ideals that for generations have led many to neglect their true identity and natural beauty.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

This short documentary zooms in on Churchill, Manitoba, on the western curve of Hudson Bay. The town boomed for a while after it became the railhead seaport for the shipment of Prairie grain. It also changed the way of life of the Native Indian and Inuit population.

This short documentary profiles 27-year-old Scoggie Watson, a Cape Breton stalwart who clings to the things he cherishes most: the waters of Lake Bras d'Or, his hand-built sailboat, his freedom, and the friends who stayed in Cape Breton instead of leaving for the big cities.

A city symphony of kinetic movement in the concrete jungle. A cacophony of textures, layers and surfaces moving in unison and discord yearning for an open horizon.