Cinema in Sudan: Conversations with Gadalla Gubara

When tribal feuds ignite a firestorm of violence, three surgeons unite for peace. Francis grew up with little schooling during the Sudanese Civil War. Ajak is a Lost Boy who has returned to the tribe he fled as a child. Both men are proteges of Glenn, a grizzled, but brilliant American surgeon.

Paulo Rocha catches up with his “beloved subject” in Porto, where he made Douro, Faina Fluvial in 1929, and where today Oliveira reminisces about the figure of his father, his first experience of cinema as an actor, his past as a racing driver, his first technical experiences…

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Beatrice is an 18-year-old young reporter with the Children’s Radio Foundation (CRF) in Lusaka, Zambia. She is part of the Unite4Climate Radio Initiative, a project which uses the power of radio to challenge mindsets and shift behaviours around environmental protection.

The film is an evocative story of the tenuous relationship between a charcoal burner and forests. The film follows Lloyd on his journey from burning charcoal to setting up a micro-nursery selling trees to his neighbouring community – a brief window into his deep rooted connection to forests around Livingstone.

There are thousands of people working as scrap workers in Agbogbloshie, Accra, Ghana, and Abdallah is one of them. Like the majority, Abdallah is from the northern part of the country and behind him, there is a big family awaits support. The air pollution caused by the open burning of electronic scraps has raised Muntaka’s concern, who is trying to stop them from burning…

Mueda was a massacre. The name is that of the village in Northern Mozambique where in 1960 it took place. The Portuguese colonial regime did the killing. In independent Mozambique, those inhabitants of Mueda who survived regularly re-enact the massacre in situ. They themselves play the roles of victims, assassins, and spectators. Ruy Guerra, now a Brazilian but born in Lourenço Marques (now Maputo, the capital of Mozambique), filmed this extraordinary creation of liberated popular culture, intercutting it with first-hand interviews on the massacre. The mix is compelling, and the grave yet joyous spectacle unique.

A small Algerian town, off the beaten track of the war that is tearing the country apart. At the heart of the crisis that is destroying it, two young men, without work, without leisure activities, without hope, without anything... The film follows them in their daily wanderings between endless boredom and the expectation of the improbable. And shows their humour, their friendship, their will to live regardless.

Filmed across three continents, this documentary shares the story of the founders of the Pan-African comic book company, Kugali, who made their dream a reality creating an original animation series with Walt Disney Animation Studios.

"The reason why they kill people is because they do not have any education," a Sudanese boy says about the bloody conflict in his fatherland. Shortly before, we see images of a bombed school. In this film, the youngest and most innocent generation of Sudanese explains how it deals with the war that is tearing the country apart. Will the orphaned children avenge their murdered parents, or will they forgive the killers and start working on a new life? At any rate, these children's dreams for the future are anything but violent. One of them wants to learn English to be able to liberate his country, another wants to study to "be something," a third wants to become president to bring total peace, and yet another simply wants to be like her grandmother. Despite all the atrocities they have witnessed, the children mainly want to rebuild things, to put an end to the destruction.

A documentary on the life and career of Victor Fleming, director of such iconic movies as The Wizard of Oz and Gone with the Wind.

Two hunters set out on safari with their African guide. They observe zebras, an ostrich, and a hippopotamus, capture a monkey, and camp for the night. After a lion kills their goat and horse, they shoot it by the water’s edge and later kill a second. The animals are skinned, and the hunters relax with cigarettes beside their trophies. (Note: Produced by Nordisk Film in 1907, Løvejagten gained notoriety because founder Ole Olsen purchased lions from Copenhagen Zoo, released them on an island, and filmed their killing. Supplemented with zoo footage to simulate Africa, the film caused public outrage yet drew huge audiences, establishing Nordisk’s reputation worldwide.)

Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never stopped him from chasing his dreams to become a full-time cook, but now Nathan must prove himself to his peers, his students and potential employers.

A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.

Etnographic documentary about lion hunting in Africa.